The Adventures of a Shakespeare Scholar: To Discover Shakespeare's Art, Том 10University of Delaware Press, 1997 - 365 страници Rarely does a scholar single-handedly point Shakespeare study in a new direction. But in the 1950s, when brilliant insights were being achieved in Shakespeare's language, and a few theatre historians were recording stagings and stage business, Marvin Rosenberg led the way to a wider perspective of the poet-playwright's genius. He insisted that Shakespeare's art fused poetry-of-the-word with poetry-of-the-theatre, each illuminating the other inseparably. |
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Страница 22
... sometimes inhibit , some- times even contradict , conscious purpose ( see " Chapter 19 , " Subtext in Shakespeare " ) . Could we possibly get a visual fix on the tenuous variability of the characters ? A picture of their polyphony ? I ...
... sometimes inhibit , some- times even contradict , conscious purpose ( see " Chapter 19 , " Subtext in Shakespeare " ) . Could we possibly get a visual fix on the tenuous variability of the characters ? A picture of their polyphony ? I ...
Страница 25
... , in performances , video- tapes , interviews , and correspondence — and who sometimes take the trouble to write to me about the usefulness to them of my books . Thanks also to the many students who over the years PROLOGUE 25.
... , in performances , video- tapes , interviews , and correspondence — and who sometimes take the trouble to write to me about the usefulness to them of my books . Thanks also to the many students who over the years PROLOGUE 25.
Страница 30
... sometimes im- pelled to contrariety : for instance , simultaneously to kindness and cru- elty , loving and hating ( as in Hamlet's nunnery scene with Ophelia ) . If one passion or a cluster of passions may momentarily seem to dominate ...
... sometimes im- pelled to contrariety : for instance , simultaneously to kindness and cru- elty , loving and hating ( as in Hamlet's nunnery scene with Ophelia ) . If one passion or a cluster of passions may momentarily seem to dominate ...
Страница 31
... sometimes in life we listen selectively to the polyphonies of companions — many of the subtle undertones may be lost to us . Shake- speare's characters are particularly susceptible to this partial identifica- tion because of the ...
... sometimes in life we listen selectively to the polyphonies of companions — many of the subtle undertones may be lost to us . Shake- speare's characters are particularly susceptible to this partial identifica- tion because of the ...
Страница 32
... tones of their own , sometimes for the moment harmonizing with the tragic hero — but , in tragedy , usually only for the moment . The best of the " others " who confront heroic 32 CHARACTER AS MAINSPRING IN SHAKESPEARE.
... tones of their own , sometimes for the moment harmonizing with the tragic hero — but , in tragedy , usually only for the moment . The best of the " others " who confront heroic 32 CHARACTER AS MAINSPRING IN SHAKESPEARE.
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action actors aesthetic ambiguity Angelo arousal artistic asked audience Banquo Cassio character characterization child Claudius colleagues comedy complex contextual Cordelia critics David Garrick death Desdemona drama Duke Edgar eighteenth century Elizabethan emotional essay experience eyes fantasy father feel Fool Garrick Gertrude gestures Gloster Hall hero human Iago Iago's imagery imagine impulses Isabella Kemble kill kind King Lear Lady Macbeth Laertes language Lear's learned linear lines look Masks Measure for Measure mind Modern Language Association motivation moved murder Ophelia Othello passion patterns performance perhaps personality play play's playwright poetry Polonius polyphony power Hamlet rehearsals response role Salvini scene scholars Scofield seems sense sexual Shake Shakespeare Conference shock soliloquy sometimes sound speak speare's spectators speech stage Stratford subtext suggest sweet Hamlet symbolic theater thing thou thought tion tragedy tragic tragic heroes verbal videotape visual voice words
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