The Life and Work of John Ruskin, Том 2Methuen, 1893 - 4 страници |
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Страница 47
... mediæval and modern and oriental examples from the school museum , and concentrate the mind of the student wholly upon the study of natural form , and upon its treatment by the Greeks between 500 and 350 B.C. , with the best Florentine ...
... mediæval and modern and oriental examples from the school museum , and concentrate the mind of the student wholly upon the study of natural form , and upon its treatment by the Greeks between 500 and 350 B.C. , with the best Florentine ...
Страница 87
... Mediæval mythology . He ended by saying that , though he would . not have his young hearers believe " that the Greeks were T logical and archæological specialist : but at the same GREEK FAITHS AND CHRISTIAN MYTHS . 87.
... Mediæval mythology . He ended by saying that , though he would . not have his young hearers believe " that the Greeks were T logical and archæological specialist : but at the same GREEK FAITHS AND CHRISTIAN MYTHS . 87.
Страница 91
... mediæval believers , once more as a little child upon the unfathomable mysteries of life . ment . But this anticipates the story ; at the time , he found in 1 Carpaccio the man who had touched the full chord GREEK FAITHS AND CHRISTIAN ...
... mediæval believers , once more as a little child upon the unfathomable mysteries of life . ment . But this anticipates the story ; at the time , he found in 1 Carpaccio the man who had touched the full chord GREEK FAITHS AND CHRISTIAN ...
Страница 127
... mediæval language . How did the saints feel themselves , I wonder , about their saintship ! " It is very easy to preach , and not so difficult to practise the great Renunciation . But what then ? It is very hard to see clearly , and ...
... mediæval language . How did the saints feel themselves , I wonder , about their saintship ! " It is very easy to preach , and not so difficult to practise the great Renunciation . But what then ? It is very hard to see clearly , and ...
Страница 217
... mediæval art . The legends illustrated by her drawings were collected by herself , through an intimate acquaintance with Italians of all classes , from the nobles to the peasantry , whom she understood and loved , and by whom she was ...
... mediæval art . The legends illustrated by her drawings were collected by herself , through an intimate acquaintance with Italians of all classes , from the nobles to the peasantry , whom she understood and loved , and by whom she was ...
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admirers Alps April architecture artists audience Brantwood called Carlyle Carpaccio Catalogue CHAPTER colour Coniston course Denmark Hill Deucalion drawing school E. T. Cook editions Allen England feeling friends Gallery gave geology give going Greek hand Herne Hill hope ideal illness illustrated interest John Ruskin June labour lady later Lect lecture letters live London look loved Lucca Matlock mediæval mind Miss Beever Modern Painters moral morning Museum natural never Norton Old Road Oxford Political Economy Præterita Professor Ruskin Professorship Proserpina published pupil reader Rede Lecture reprinted returned Royal Savoy scheme Seascale seemed Sept Sheffield sketch Slade society Stones of Venice sympathy teaching things thought Tintoret tion took Turner University Unto This Last Verona Vevey volume W. G. Collingwood writing wrote young
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Страница 165 - Inter spem curamque, timores inter et iras omnem crede diem tibi diluxisse supremum : grata superveniet quae non sperabitur hora.
Страница 67 - Thy Father has written for thee." " Come, wander with me," she said, " Into regions yet untrod ; And read what is still unread In the manuscripts of God." And he wandered away and away With Nature, the dear old nurse, Who sang to him night and day The rhymes of the universe. And whenever the way seemed long, Or his heart began to fail, She would sing a more wonderful song, Or tell a more marvellous tale.
Страница 227 - I am scornfully amused at your appeal to me, of all people in the world the precisely least likely to give you a farthing ! My first word to all men and boys who care to hear me is ' Don't get into debt. Starve and go to heaven — but don't borrow. Try first begging, — I don't mind, if it's really needful, stealing ! But don't buy things you can't pay for...
Страница 39 - Not for a long while have I read anything tenth-part so radiant with talent, ingenuity, lambent fire (sheet and other lightnings) of all commendable kinds ! Never was such a Lecture on Crystallography before had there been nothing else in it, and there are all manner of things. In power of expression, I pronounce it to be supreme ; never did anybody who had such things to explain, explain them better.
Страница 230 - And it shall come to pass in that day, that the light shall not be clear, nor dark: But it shall be one day which shall be known to the LORD, not day nor night: but it shall come to pass, that at evening time it shall be light.
Страница 137 - Everybody wants to hear — nobody to read — nobody to think ; to be excited for an hour — and, if possible, amused ; to get the knowledge it has cost a man half his life to gather, first sweetened up to make it palatable, and then kneaded into the smallest possible pills — and to swallow it homceopathically and be wise — this is the passionate desire and hope of the multitude of the day. It is not to be done.
Страница 108 - ... number of the Graphic, with the picture of the Queen's concert in it ? All the fine ladies sitting so trimly, and looking so sweet, and doing the whole duty of woman — wearing their fine clothes gracefully ; and the pretty singer, white-throated, warbling
Страница 32 - Si cette enfant m'était confiée, je ferais d'elle, non pas une savante, car je lui veux du bien, mais une enfant brillante d'intelligence et de vie et en laquelle toutes les belles choses de la nature et de l'art se refléteraient avec un doux éclat. Je la ferais vivre en sympathie avec les beaux paysages, avec les scènes idéales de la poésie et de l'histoire, avec la musique noblement émue. Je lui rendrais aimable tout ce que je voudrais lui faire aimer.
Страница 98 - German success was the victory of ' one of the truest monarchies and schools of honour and obedience yet organised under heaven.' He hoped that Germany, now that she had shown her power, would withdraw, and demand no indemnity. But that was too much to ask. Before long Paris itself became the scene of action, and in January 1871 was besieged and bombarded. So much of Mr. Ruskin's work and affection had been given to French / Gothic that he could not endure to think of his beloved Sainte Chapelle...