With whom an upright zeal to right prevails, [GLOSTER and CLARENCE whisper. Come, Clarence, come; thou wilt, if Warwick call. Clar. Father of Warwick, know you what this means? SCENE II-A Field of Battle near BARNET. Alarums and Excursions. Enter King EDWARD, bringing in WARWICK wounded. K. Edw. So, lie thou there: die thou, and die our fear; For Warwick was a bug 12 that fear'd us all.— [Taking the red rose out of his bat? Now, Montague, sit fast; 13 I seek for thee, Look here, I throw my infamy at thee: That Warwick's bones may keep thine company. I will not ruinate my father's house, Who gave his blood to limes the stones together, And set up Lancaster. Why, trow'st thou, Warwick, That Clarence is so harsh, so blunt,10 unnatural, That, to deserve well at my brother's hands, Than if thou never hadst deserv'd our hate. War. Oh, passing" traitor, perjur'd and unjust! K. Edw. What! Warwick, wilt thou leave the town, and fight? Or shall we beat the stones about thine ears? K. Edw. Yes, Warwick, Edward dares, and leads the way.— Lords, to the field; Saint George and victory! [March. Exeunt. 7. Taking the red rose out of his hat. This and the previous stage direction are not given in the Folio. They are taken from "The True Tragedie," &c., which gives-" Richard and Clarence whisper together, and then Clarence takes his red rose out of his hat, and throwes it at Warwicke." The present one is needful, as explaining the gist of Clarence's accompanying words. 8. To lime. Here used for 'to cement.' 9 Trow'st. 'Think'st,' 'believ'st' See Note 47, Act ii., "Second Part Henry VI." 10. Blunt. Here used for 'dull,' obtuse,' 'insensible.' IT. Passing. 'Surpassing,'' excessive,' 'exceeding,' 'egregious.' [Exit. War. Ah! who is nigh? come to me, friend or foe, And tell me who is victor, York or Warwick ? shows, That I must yield my body to the earth, Have been as piercing as the mid-day sun, To search the secret treasons of the world: For who liv'd king, but I could dig his grave? dust? And, live we how we can, yet die we must. Enter OXFORD and SOMERSET, Som. Ah, Warwick! Warwick, wert thou as we are, We might recover all our loss again: The queen from France hath brought a puissant power; Even now we heard the news; ah! couldst thou fly. 12. Bug. 'Bugbear.' See Note 95, Act i., "Taming of the Shrew." "Fear'd" is here used actively for 'frightened,' 'alarmed.' See Note 4, Act ii., "Merchant of Venice." 13. Sit fast. An idiom equivalent to the more modern and usual one, 'stand fast,' expressing 'be firm,' and here meaning 'remain where thou art.' 14. Thus yielas the cedar, &c. The construction in this sentence presents an instance of the transposition which is of not uncommon occurrence in these three plays of Henry VI., See, and of which we have pointed out several instances. among others, Note 33, Act iv. "Whose arms," which, in accordance with usual construction, seems to refer to "axe," in accordance with transposed construction really refers to "cedar." War. Why, then I would not fly.-Ah! Montague, If thou be there, sweet brother, take my hand, Som. Ah! Warwick, Montague hath breath'd his last; And to the latest gasp cried out for Warwick, Which sounded like a cannon in a vault,15 SCENE III.-Another part of the Field. Flourish. Enter King EDWARD in triumph; with CLARENCE, GLOSTER, and the rest. K. Edw. Thus far our fortune keeps an upward course, And we are grac'd with wreaths of victory. I mean, my lords, those powers that the queen Clar. A little gale will soon disperse that cloud, Glo. The queen is valu'd thirty thousand strong, And Somerset, with Oxford, fled to her: 15. Like a cannon in a vault. "The True Tragedie," &c., gives 'clamour,' instead of "cannon" here; which, being the Folio word and presenting an image of a powerful sound deadened, we retain; otherwise, the expression 'clamour' is perhaps preferable. K. Edw. We are advértis'd by our loving friends That they do hold their course toward Tewksbury: 16. That might not be distinguish'd. The Folio, instead of "might," prints 'mought' here, which was an old form of the SCENE IV.-Plains near TEWKSBURY. March. Enter Queen MARGARET, Prince EDWARD, SOMERSET, OXFORD, and Soldiers. 2. Mar. Great lords, wise men ne'er sit and wail their loss, But cheerly seek how to redress their harms. : Whiles, in his moan, the ship splits on the rock, Say, Warwick was our anchor; what of that? no, From shelves and rocks that threaten us with wreck. As good to chide the waves as speak them fair. word. We content ourselves with this mention of the circumstance, and do not retain it in the text, as Shakespeare ordinarily uses the more modern form. 17. Have arriv'd our coast. "Arriv'd" is here used as a verb active. Shakespeare elsewhere thus employs it; and so does Milton. This speak I, lords, to let you understand, If 18 case some one of you would fly from us, That there's no hop'd-for mercy with the brothers More than with ruthless waves, with sands, and rocks. Why, courage, then! what cannot be avoided 'Twere childish weakness to lament or fear. Prince. Methinks a woman of this valiant spirit Should, if a coward heard her speak these words, Infuse his breast with magnanimity, And make him, naked, foil a man-at-arms. I speak not this as doubting any here; Oxf. Women and children of so high a courage And warriors faint! why, 'twere perpetual shame. Oh, brave young prince! thy famous grandfather Som. And he that will not fight for such a hope, 2. Mar. Thanks, gentle Somerset ;-sweet Oxford, thanks. Prince. And take his thanks, that yet hath nothing else. Enter a Messenger. Mess. Prepare you, lords, for Edward is at hand, Ready to fight; therefore be resolute. Oxf. I thought no less: it is his policy To haste thus fast, to find us unprovided. Som. But he's deceiv'd; we are in readiness. 2. Mar. This cheers my heart, to see your forwardness. Oxf. Here pitch our battle; hence we will not budge. Flourish and March. Enter, at a distance, King EDWARD, CLARENCE, GLOSTER, and Forces. K. Edw. Brave followers, yonder stands the thorny wood, I need not add more fuel to your fire, 2. Mar. Lords, knights, and gentlemen, what I should say, My tears gainsay; 20 for every word I speak, Is prisoner to the foe; his state usurp'd, [Exeunt both Armies. Which, by the heavens' assistance, and your Edward, what satisfaction canst thou make For bearing arms, for stirring up my subjects, And all the trouble thou hast turn'd me to:23 for "mine eyes," which the parallel passage in "The True Tragedie," &c., shows to be right. 22. Hammes' Castle. The Castle of Ham, in Picardy. 23. All the trouble thou hast turn'd me to. An idiomatic expression, of which other instances are found in Shakespeare. See Note 19, Act i., "Tempest ;" and in Act v., sc. 5, of "Merry Wives of Windsor," the queen of the fairies says-"The flame will back descend, and turn him to no pain." Prince. Speak like a subject, proud ambitious York! Suppose that I am now my father's mouth; Resign thy chair,24 and where I stand kneel thou, Whilst I propose the selfsame words to thee, Which, traitor, thou wouldst have me answer to. 2. Mar. Ah! that thy father had been so resolv'd. Glo. That you might still have worn the petticoat, And ne'er have stol'n the breech from Lancaster. 24. Chair. Here used for assumed royal seat or position,' 'usurped throne.' 25. Let Esop fable, &c. The prince calls Richard "sop," as a fleer at his deformity. Glo. For heaven's sake, take away this captive scold. Prince. Nay, take away this scolding crookback rather. K. Edw. Peace, wilful boy, or I will charm your tongue.26 Clar. Untutor'd lad, thou art too malapert. Prince. I know my duty; you are all undutiful: Lascivious Edward,-and thou perjur'd George,- I am your better, traitors as ye are;— [Stabs him. 26. Charm your tongue. 'Make your tongue spell-bound,' 'make you silent as if by incantation.' See Note 13, Act iv., "Second Part Henry VI." 27. The likeness of this railer here. "The" has been altered VOL. II. 150 |