It shall be with such strict and severe covenants, As little shall the Frenchmen gain thereby. Enter CHARLES, attended: ALENÇON, the Bastard of ORLEANS, REIGNIER, and others. Char. Since, lords of England, it is thus agreed That peaceful truce shall be proclaim'd in France, We come to be informed by yourselves What the conditions of that league must be. York. Speak, Winchester; for boiling choler chokes The hollow passage of my prison'd voice.46 Car. Charles, and the rest, it is enacted thus:- Alen. Must he be, then, as shadow of himself? Adorn his temples with a coronet,49 And yet, in substance and authority, Retain but privilege of a private man? This proffer is absurd and reasonless. Char. 'Tis known already that I am possess'd With more than half 50 the Gallian territories, And therein reverenc'd for their lawful king: Shall I, for lucre of the rest unvanquish'd, Detract so much from that prerogative, As to be call'd but viceroy of the whole? No, lord embassador; I'll rather keep That which I have, than, coveting for more, Be cast from possibility of all. York. Insulting Charles! hast thou by secret means Us'd intercession to obtain a league, And, now the matter grows to compromise, Or we will plague thee with incessant wars. To cavil in the course of this contract: 46. My prison'd voice. The Folio gives 'poyson'd' for "prison'd." Theobald made the correction; which is shown to be probable, not merely by the context here, but by a similar Folio error in a passage elsewhere. See Note 108, Act iv., "Love's Labour's Lost." 47. Baleful. Mischievous,' 'harmful,' 'destructive,' 'poisonous.' Saxon, bæl, poison, evil, calamity. 48. Of mere compassion and of lenity. "Of" is here used elliptically for 'out of.' If once it be neglected, ten to one, We shall not find like opportunity. Alen. [Aside to CHAR.] To say the truth, it is your policy, To save your subjects from such massacre, And therefore take this compact of a truce, Char. It shall; only reserv'd, you claim no interest In any of our towns of garrison. York. Then swear allegiance to his majesty ; As thou art knight, never to disobey, Nor be rebellious to the crown of England,Thou, nor thy nobles, to the crown of England. [CHARLES and the rest give tokens of fealty, So, now dismiss your army when ye please; Hang up your ensigns, let your drums be still, For here we entertain a solemn peace. [Exeunt. SCENE V.-LONDON. A Room in the Palace. Enter King HENRY, in conference with SUFFOLK; GLOSTER and EXETER following. K. Hen. Your wondrous rare description, noble earl, Of beauteous Margaret hath astonish'd me: Suf. Tush, my good lord,-this superficial tale K. Hen. presume. And otherwise will Henry ne'er Whom should we match with Henry, being a king, Therefore, my lord protector, give consent How shall we, then, dispense with that contract, Suf. As doth a ruler with unlawful oaths; A poor earl's daughter is unequal odds, And therefore may be broke 5 without offence. Glo. Why, what, I pray, is Margaret more than that? Her father is no better than an earl, Although in glorious titles he excel. Suf. Yes, my good lord,55 her father is a king, The King of Naples and Jerusalem ; And of such great authority in France, As his alliance will confirm our peace, And keep the Frenchmen in allegiance. Glo. And so the Earl of Armagnac may do, Because he is near kinsman unto Charles. Exe. Beside, his wealth doth warrant liberal dower, Where 56 Reignier sooner will receive than give. Suf. A dower, my lords! disgrace not so your king, That he should be so abject, base, and poor, And not to seek a queen to make him rich: Not whom we will, but whom his grace affects, But Margaret, that is daughter to a king? As is fair Margaret, he be link'd in love. report, My noble Lord of Suffolk, or for that Agree to any covenants; and procure That Lady Margaret do vouchsafe to come ! ACT I. SCENE I-LONDON. A Room of State in the Palace. Flourish of trumpets, then hautboys. Enter, on one side, King HENRY, Duke of GLOSTER, SALISBURY, WARWICK, and Cardinal BEAUFORT; on the other, Queen MARGARET, led in by SUFFOLK; YORK, SOMERSET, BUCKINGHAM, and others, following. Suf As by your high imperial majesty 1. Under the title of "The Second Part of Henry the Sixt; with the death of the Good Duke Hvmfrey," this play was first printed in the Folio, 1623. It is an alteration and amplification of a play printed in Quarto, with the following title:-"The First Part of the Contention betwixt the two famous houses of Yorke and Lancaster, with the death of the good Duke Humphrey And the banishment and death of the Duke of Suffolke, and the Tragicall end of the proud Cardinall of Winchester, with the notable Rebellion of Jacke Cade: And the Duke of Yorke's first claime vnto the Crowne. London, Printed by Thomas Creed, for Thomas Millington, and are to be sold at his shop vnder Saint Peter's Church in Cornwall. 1594" Malone stated his belief that this Quarto play was written "by some preceding author;" while Mr. Halliwell, in his Introduction to its reprint for the Shakespeare Society in 1843, argues for its being a first sketch by Shakespeare from an original drama as yet undiscovered. The question has been carefully sifted, the points of corroboration carefully collected, while the internal evidence of the production itself does not militate against this latter theory: for though there is an air of boldness throughout, yet there do not exist those coarse rants and bombastic flights which so disfigure the "First Part of Henry VI." So visible is this difference of style, that we can rather believe the "First Part of the Contention," &c. to have been Shakespeare's first sketch from an earlier play, than that the "First Part of the Contention," &c. was written by the same hand that wrote the drama which Shakespeare made the groundwork of his “First Part of Henry VI." Until the original plays, upon which were I had in charge at my depart2 for France, Seven earls, twelve barons, and twenty reverend bishops,5 based the three which appear in the Folio, 1623, as Shakespeare's First, Second, and Third Parts of Henry VI. shall be discovered, all must be mere conjecture; therefore we content ourselves with giving the above opinion, thinking it but due candour to frankly state it. 2. Depart. Used here for 'departure.' A similar abbreviation occurs in the "Two Gentlemen of Verona," Act v., sc. 4, "At my depart I gave this unto Julia;" and also twice in the "Third Part Henry VI." the word appears in its abbreviated form, but nowhere else in Shakespeare's plays a fact which affords one slight point in corroboration of our belief that the present play, with its companion historical dramas, the First and Third Parts of Henry VI., were the work-though the adaptation-work-of Shakespeare at an early period. 3. Procurator. A manager of affairs; one deputed as agent for another. The strict consecution between the opening of the present play and the close of its predecessor-the "First Part of Henry VI."-appears to us to prove merely that Shakespeare, when adopting the subject and adapting the three plays for representation at the Blackfriars Theatre, took care to maintain the thread of historic narrative, and preserve its consistent con| tinuance throughout these chronicle dramas. See Note 1, Act i., "First Part Henry VI." 4. The Dukes of Orleans, Calaber, &c. One of those lines where, proper names being introduced, the exact number of feet is disregarded. See Note 35, Act i., "Richard II." 5. Seven earls, twelve barons, and twenty, &c. The details here given of these espousals are according to Hall and Holinshed's account. |