For thee the fates, feverely kind, ordain A cool fufpenfe from pleasure and from pain; Thy life a long dead calm of fix'd repofe; No pulfe that riots, and no blood that glows. Still as the feas, e'er winds were taught to blow, Or moving spirit bade the waters flow; Soft as the flumbers of a faint forgiven, And mild as opening gleams of promis'd heaven. Come, Abelard! for what haft thou to dread? The torch of Venus burns not for the dead. Nature stands check'd; religion disapproves; Ev'n thou art cold-yet Eloifa loves. Ah, hopeless, lafting flames! like thofe that burn To light the dead, and warm th' unfruitful urn. What fcenes appear where'er I turn my view! The dear ideas, where I fly, pursue, Rife in the grove, before the altar rise, Stain all my foul, and wanton in my eyes. I waste the matin lamp in fighs for thee, Thy image feals between my God and me, Thy voice I feem in every hymn to hear, With every bead I drop too foft a tear. When from the cenfer clouds of fragrance roll, And fwelling organs lift the rifing foul, One thought of thee puts all the pomp to flight, Priefts, tapers, temples, fwim before my fight: In feas of flame my plunging foul is drown'd, While altars blaze, and angels tremble round. While proftrate here in humble grief I lie, Kind, virtuous drops juft gathering in my eye, While, praying, trembling, in the dust I roll, And dawning grace is opening on my foul: Come, if thou dar'ft, all charming as thou art! Oppofe thyself to heaven; difpute my heart; Come, with one glance of thofe deluding eyes Blot out each bright idea of the skies; [tears; Take back that grace, thofe forrows, and thofe Take back my fruitlefs penitence and prayers; Snatch me, juft mounting, from the bleft abode; Aflift the fiends, and tear me from my God! No, fly me, fly mc, far as pole from pole; O, grace ferene! O virtue heavenly fair! See in her cell fad Eloifa fpread, "Come, fifter, come !" (it faid, or feem'd to say) "Thy place is here, fad fifter, come away! "Once like thyfelf, I trembled, wept, and pray'd, "Love's victim then, though now a fainted maid: "But all is calm in this eternal fleep; "Here grief forgets to groan, and love to weep: "Ev'n fuperftition lofes every fear; "For God, not man, abfolves our frailties here." Then too, when fate fhall thy fair frame destroy, (That caufe of all my guilt, and all my joy), In trance ecftatic may the pangs be drown'd, Bright clouds defcend, and angels watch thee round, From opening fkies may freaming glories fhine, And faints embrace thee with a love like mine! May one kind grave unite each hapless name, And graft my love immortal on thy fame! Then, ages hence, when all my woes are o'er, When this rebellious heart fhall beat no more; If ever chance two wandering lovers brings To Paraclete's white walls and filver springs, O'er the pale marble fhall they join their heads, And drink the falling tears each other sheds; Then fadly fay, with mutual pity mov'd, O, may we never love as thefe have lov'd!" From the full choir, when loud hofannahs rife, And fwell the pomp of dreadful facrifice, Amid that scene of fome relenting eye Glance on the ftone where our cold relics lie, Devotion's felf fhall fteal a thought from heaven, One human tear fhall drop, and be forgiven. And fure if fate fome future bard shall join In fad fimilitude of griefs to mine, Condemn'd whole years in abfence to deplore, And image charms he must behold no more; Such if there be, who loves fo long, fo well; Let him our fad, our tender flory tell! The well-fung woes will foothe my pensive ghoft; He beft can paint them who shall feel them moft. TRANSLATIONS AND IMITATIONS. ADVERTISEMENT. 1 Te following translations were felected from many others done by the Author in his youth; far the most part indeed but a sort of exercises, while he was improving himself in the languages, and carried by his early bent to poetry to perform them rather in verse than profe." Mr. Dryden's Fables came out about that time, which occafioned the Tranflations from Chaucer. They were firft feparately printed in Mifcellanies, by J. Tonfon and B. Lintet, and afterwards collected in the Quarto Edition of 1717. The Imitations of English Authors, which follow, were done as early, fome of them at fourteen or fifteen years old. THE TEMPLE OF FAME. ADVERTISEMENT. Tur hint of the following piece was taken from Chaucer's Houfe of Fame. The design is in a manner entirely altered, the descriptions and most of the particular thoughts my own; yet I could not fuffer it to be printed without this acknowledgment. The reader who would compare this with Chaucer, may begin with his third book of Fame, there being nothing in the two first books that answers to their title: wherever any hint is taken from him, the paffage itself is fet down in the marginal notes. The poem is introduced in the manner of the Provençal poets, whofe works were for the most part vifions, or pieces of imagination, and conftantly defcriptive. From thefe, Petrarch and Chaucer frequently borrowed the idea of their poems. See the Trionfi of the former, and the Dream, Flower, and the Leaf, &c. of the latter. The Author of this therefore chofe the fame fort of exordium. IN that soft season, when descending showers The whole creation open to my eyes : IMITATIONS. ΤΟ Ver.11, &c.] These verses are hinted from the fol- 20 In air felf-balanc'd hung the globe below, And fix their own, with labour, in their place : IMITATIONS. Now valeis, and now foreftes, And now unneth great bestes, Now rivers, now citees, Now towns, now great trees, Now fhippes fayling in the fee. 30 For Fame, impatient of extremes, decays Spread, and grow brighter with the length of days. 60 So Zembla's rocks (the beauteous work of froft) Rife white in air, and glitter o'er the coast; Pale funs, unfelt, at distance roll away, And on th' impaffive ice the lightnings play; Eternal fnows the growing mafs fupply, Till the bright mountains prop th' incumbent sky As Atlas fix'd, each hoary pile appears, The gather'd winter of a thousand years. On this foundation Fame's high temple stands; Stupendous pile! not rear'd by mortal hands. Whate'er proud Rome or artful Greece beheld, Or elder Babylon, its frame excell'd. Four faces had the dome, and every face Of various ftructure, but of equal grace! Four brazen gates, on columns lifted high, Salute the different quarters of the sky. Here fabled chiefs in darker ages born, Or worthies old, whom arms or arts adorn, Who cities rais'd, or tam'd a monstrous race, The walls in venerable order grace: Heroes in animated marble frown, And legiflators seem to think in stone. Weftward, a fumptuous frontispiece appear'd, On Doric pillars of white marble rear'd, Crown'd with an architrave of antique mold, And fculpture rifing on the roughen'd gold. In fhaggy fpoils here Thefeus was beheld, 70 Ver. 27. High on a rock of ice, &c.] Chaucer's And Perfeus dreadful with Minerva's fhield: 80 third book of Fame. It ftood upon fo high a rock, Though faw I all the hill y-grave There great Alcides, ftooping with his toi!, IMITATIONS. That they were molte away for heate, And not away with ftormes beate. Ver. 45. Yet part no injuries, &c] For on that other fide I fey As fresh as men had written hem there That I on hem gan to poure; Cytheron's echoes answer to his call, ΓΙΟ To midnight banquets in the glimmering glades; 130 And his horn'd head bely'd the Libyan god. 170 Much fuffering heroes next their honours claim, Those of less noify, and lefs guilty fame, Fair virtue's filent train: fupreme of these Here ever fhines the godlike Socrates; He whom ungrateful Athens could expell, At all times juft, but when he figu'd the shell: Here his abode the martyr'd Phocion claims, With Agis, not the last of Spartan names: Unconquer'd Cato fhews the wound he tore, And Brutus his ill genius meets no more. But in the centre of the hollow'd choir, Six pompous columns o'er the reft afpire; Around the thrine itself of fame they ftand, 180 Hold the chief honours, and the fame command. High on the first, the mighty Homer fhone; Eternal Adamant compos'd his throne, Father of verfe! in holy fillets dreft, His filver beard wav'd gently o'er his breaft; Though blind, a boldness in his looks appears; In years he feem'd, but not impair'd by years. IMITATIONS. Ver. 179. Six pompous columns, &c.] The Ebraicke Jofephus the old, &c. Upon an iron pillere ftrong, The Tholofan that hight Stace, That bear of Thebes up the name, &c. Ver. 182. Full wonder high on a pillere Of iron, he the great Omer, And with him Dares and Titus, &c. 200 A golden column next in rank appear'd. On which a fhrine of pureft gold was rear'd; Finish'd the whole, and labour'd every part, With patient touches of unwearied art: The Mantuan there in fober triumph fat, Compos'd his posture, and his look fedate; On Homer still he fix'd a reverend eye, Great without pride, in mòdeft majesty. In living fculpture on the fides were spread The Latian wars, and haughty Turnus dead; Eliza ftretch'd upon the funeral pyre, Eneas bending with his aged fire · Troy flam'd in burning gold, and o'er the throne Arms and the man in golden cyphers fhone. Four Avans fuftain a car of filver bright, 210 With heads advanc'd, and pinions ftretch'd for flight: Here, like fome furious prophet, Pindar rode, Here happy Horace tun'd th' Aufonian lyre IMITATIONS. Ver. 196, &c. There faw I ftand on a pillere That hath bore up of a great while And next him on a pillere was And next him on a pillere ftode 220 Here smiling Loves and Bacchanals appear, With equal rays immortal Tully fhone, 250 These maffy columns in a circle rife, O'er which a pompous dome invades the skies: Scarce to the top I ftretch'd my aching fight, So large it spread, and fwell'd to fuch a height. Full in the midft proud Fame's imperial feat With jewels blaz'd, magnificiently great; The vivid emeralds there revive the eye, The flaming rubies fhew their fanguine dye, Bright azure rays from lively fapphires stream, And lucid amber cafts a golden gleam. With various-colour'd light the pavement shone, And all on fire appear'd the glowing throne ;. The dome's high arch reflects the mingled blaze, And forms a rainbow of alternate rays. When on the goddess first I caft my fight, Scarce feem'd her ftatue of a cubit's height; But fwell'd to larger fize, the more I gaz'd, 260 Till to the roof her towering front the rais'd. With her, the Temple every moment grew, And ampler vistas open'd to my view: Upward the columns fhoot, the roofs afcend, And arches widen, and long aifles extend. Such was her form, as ancient bards have told, Wings raise her arms, and wings her feet infoid; A thousand busy tongues the goddefs bears, And thousand open eyes, and thousand liftening ears. Beneath, in order rang'd, the tuneful nine (Her virgin handmaids) still attend the fhrine: With eyes on Fame for ever fix'd, they fing; For Fame they raise the voice, and tune the string, With time's first birth began the heavenly lays. And laft, eternal, through the length of days. IMITATIONS. Ver. 259. Scarce feem'd her ftature, &c. 270 |