And not to ev'ry one that comes, And 'tis but juft, I'll tell you wherefore, 25 30 35 But makes a diff'rence in his thought Now this I'll fay, You'll find in me A fafe companion, and a free; But if you'd have me always near- To give me back my conftitution! Non, quo more pyris vefci Calaber jubet hofpes, 4 40 45 50 55 60 That laugh'd down many a fummer fun, A weafel once made shift to flink All that may make me none of mine. 'Twas what I faid to Craggs and Child, Forte per anguftam tenuis vulpecula rimam Cui muitela procul, Si vis, ait, effugere istinc, * 65 70 Can I retrench? Yes, mighty well, A little house with trees a-row, low: And, like its master, very * Parvum parva decent. mihi jam non regia Roma, 75 80 84 IMITATED. Advertisement. THE reflections of Horace, and the judgments paf-, fed in his Epistle to Auguftus, feemed to feafonable to the prefent times, that I could not help applying them to the ufe of my own country. The author thought them confiderable enough to addrets them to his prince, whom he paints with all the great and good qualities of a monarch upon whom the Romans depended for the increase of an abfolute empire: but to make the Poem entirely English, I was willing to add one or two of those which contribute to the happinefs of a free people, and are more confiftent with the welfare of our neighbours. This Epiftle will fhew the learned world to have fallen into two miftakes: one, that Auguftus was a patron of Poets in general; whereas he not only prohibited all but the beft writers to name him, but recommended that care even to the civil magiftrate; Admonebat prætores, ne puterentur nomen fuum obfolefieri, &c. the other, that this Piece was only a general difcourfe of poetry; whereas it was an apology for the poets, in order to render Auguftus more their patron. Horace here pleads the caufe of his contemporaries; firit, against the tafte of the town, whose humour it was to magnify the authors of the preceding age; fecondly, against the court and nobility, who encouraged only the writers for the theatre; and, lastly, againit the Emperor himfelf, who had conceived them of little ufe to the government. He fhews (by a view of the progress of learning, and the change of tafte among the Romans) that the introduction of the polite arts of Greece had given the writers of his time great advantages over their predeceffors; that their morals were much improved, and the licence of thofe ancient poets restrained; that Satire and Comedy were be H 3 come come more just and useful; that whatever extravagancies were left on the stage were owing to the ill tafte of the nobility; that Poets, under due regulations, were in many reipets useful to the ftate, and concludes, that it was upon them the Emperor himself muft depend for his ame with pofterity. We may further learn from this Epistle, that Horace made his court to this great Prince, by writing with a decent freedom towards him, with a just contempt of his low flatterers, and with a manly regard to his own character.-P. |