. mitted vigor and acuteness,-had he then and there become a student, the annalist of our poor world would soon have recorded the downfall of a second Adam. The fatal apple of another Tree of Knowledge would have been eaten. All the perversions, and sophistries, and false wisdom so aptly mimicking the true — all the narrow truth, so partial that it becomes more deceptive than falsehood - all the wrong principles and worse practice, the pernicious examples and mistaken rules of life—all the specious theories which turn earth into cloudland and men into shadows all the sad experience which it took mankind so many ages to accumulate, and from which they never drew a moral for their future guidance, the whole heap of this disastrous lore would have tumbled at once upon Adam's head. There would have been nothing left for him but to take up the already abortive experiment of life where we had dropped it, and toil onward with it a little further. - But, blessed in his ignorance, he may still enjoy a new world in our wornout one. Should he fall short of good, even as far as we did, he has at least the freedom no worthless one to make errors for himself. And his literature, when the progress of centuries shall create it, will be no interminably repeated echo of our own poetry and reproduction of the images that were moulded by our great fathers of song and fiction, but a melody never yet heard on earth, and intellectual forms unbreathed upon by our conceptions. Therefore let the dust of ages gather upon the volumes of the library, and in due season the roof of the edifice crumble down upon the whole. When the second Adam's descendants shall have collected as much rubbish of their own, it will be time enough to dig into our ruins and compare the literary advancement of two independent races. But we are looking forward too far. It seems to be the vice of those who have a long past behind them. We will return to the new Adam and Eve, who, having no reminiscences save dim and fleeting visions of a preëxistence, are content to live and be happy in the present. The day is near its close when these pilgrims, who derive their being from no dead progenitors, reach the cemetery of Mount Auburn. With light hearts — for earth and sky now gladden each other with beauty – they tread along the winding paths, among marble pillars, mimic temples, urns, obelisks, and sarcophagi, sometimes pausing to contemplate these fantasies of human growth, and sometimes to admire the flowers wherewith Nature converts decay to loveliness. Can death, in the midst of his old triumphs, make them sensible that they have taken up the heavy burden of mortality which a whole species had thrown down? Dust kindred to their own has never lain in the grave. Will they then recognize, and so soon, that Time and the elements have an indefeasible claim upon their bodies? Not improbably they may. There must have been shadows enough, even amid the primal sunshine of their existence, to suggest the thought of the soul's incongruity with its circumstances. They have already learned that something is to be thrown aside. The idea of Death is in them, or not far off. But, were they to choose a symbol for him, it would be the butterfly soaring upward, or the bright angel beckoning them aloft, or the child asleep, with soft dreams visible through her transparent purity. Such a Child, in whitest marble, they have found among the monuments of Mount Auburn. "Sweetest Eve," observes Adam, while hand in hand they contemplate this beautiful object," yonder sun has left us, and the whole world is fading from our sight. Let us sleep as this lovely little figure is sleeping. Our Father only knows whether what outward things we have possessed to-day are to be snatched from us forever. But should our earthly life be leaving us with the departing light, we need not doubt that another morn will find us somewhere beneath the smile of God. I feel that he has imparted the boon of existence never to be resumed." "And no matter where we exist," replies Eve, "for we shall always be together." EGOTISM; OR, THE BOSOM SERPENT. 66 [FROM THE UNpublished ALLEGORIES OF THE HEART."] "HERE he comes!" shouted the boys along the street. "Here comes the man with a snake in his bosom!" This outcry, saluting Herkimer's ears as he was about to enter the iron gate of the Elliston mansion, made him pause. It was not without a shudder that he found himself on the point of meeting his former acquaintance, whom he had known in the glory of youth, and whom now after an interval of five years, he was to find the victim either of a diseased fancy or a horrible physical misfortune. "A snake in his bosom!" repeated the young sculptor to himself. "It must be he. No second man on earth has such a bosom friend. And now, my poor Rosina, Heaven grant me wisdom to discharge my errand aright! Woman's faith must be strong indeed since thine has not yet failed." Thus musing, he took his stand at the entrance of the gate and waited until the personage so singularly announced should make his appearance. After an instant or two he beheld the figure of a lean man, of unwholesome look, with glittering eyes and long black hair, who seemed to imitate the motion of a snake; for, instead of walking straight forward with open front, 1 The physical fact, to which it is here attempted to give a moral agnification, has been known to occur in more than one instance. he undulated along the pavement in a curved line. It may be too fanciful to say that something, either in his moral or material aspect, suggested the idea that a miracle had been wrought by transforming a serpent into a man, but so imperfectly that the snaky nature was yet hidden, and scarcely hidden, under the mere outward guise of humanity. Herkimer remarked that his complexion had a greenish tinge over its sickly white, reminding him of a species of marble out of which he had once wrought a head of Envy, with her snaky locks. The wretched being approached the gate, but, instead of entering, stopped short and fixed the glitter of his eye full upon the compassionate yet steady coun tenance of the sculptor. "It gnaws me! It gnaws me!" he exclaimed. And then there was an audible hiss, but whether it came from the apparent lunatic's own lips, or was the real hiss of a serpent, might admit of a discussion. At all events, it made Herkimer shudder to his heart's core. "Do you know me, George Herkimer?" asked the snake-possessed. Herkimer did know him; but it demanded all the intimate and practical acquaintance with the human face, acquired by modelling actual likenesses in clay, to recognize the features of Roderick Elliston in the visage that now met the sculptor's gaze. Yet it was he. It added nothing to the wonder to reflect that the once brilliant young man had undergone this odious and fearful change during the no more than five brief years of Herkimer's abode at Florence. The possibility of such a transformation being granted, it was as easy to conceive it effected in a moment as in |