Q. Horatii Flacci Epistolae Ad Pisones, Et Augustum, Том 3W. Bowyer and J. Nichols, 1776 |
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... objects as lie in common " to all obfervers . " દ Secondly , " Whether , in the cafe of con- " felled Imitations , any certain and neceffary " conclufion bolds to the difadvantage of the " natural GENIUS of the imitator ? " - QUESTIONS ...
... objects as lie in common " to all obfervers . " દ Secondly , " Whether , in the cafe of con- " felled Imitations , any certain and neceffary " conclufion bolds to the difadvantage of the " natural GENIUS of the imitator ? " - QUESTIONS ...
Страница 2
... object , and ranging the entire circuit of univerfal being . In this view every wondrous original , which ages have gazed at , as the offspring of creative fancy ; and of which poets themselves , to do honour to their inven- tions ...
... object , and ranging the entire circuit of univerfal being . In this view every wondrous original , which ages have gazed at , as the offspring of creative fancy ; and of which poets themselves , to do honour to their inven- tions ...
Страница 4
... object of other mirrors , and is itself original to future reflexions . This fecondary or derivative image , is that ... objects of nature , the reader is often at a lofs ( for the poet himself is not always aware of it ) to difcern the ...
... object of other mirrors , and is itself original to future reflexions . This fecondary or derivative image , is that ... objects of nature , the reader is often at a lofs ( for the poet himself is not always aware of it ) to difcern the ...
Страница 5
Horace. power , which of the two he chofe to make the object of his own imitation . For it is not enough to fay here , as in the cafe of reflec- tions , that the latter is always the weaker , and of course betrays itself by the degree of ...
Horace. power , which of the two he chofe to make the object of his own imitation . For it is not enough to fay here , as in the cafe of reflec- tions , that the latter is always the weaker , and of course betrays itself by the degree of ...
Страница 6
... object itself , as was ob- ferved , is before the poet , and he may catch from thence , and infuse into his piece , the fame glow of real life , which animated the first copy . 2. He may also take in cir- cumstances , omitted or ...
... object itself , as was ob- ferved , is before the poet , and he may catch from thence , and infuse into his piece , the fame glow of real life , which animated the first copy . 2. He may also take in cir- cumstances , omitted or ...
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Често срещани думи и фрази
AENEIS affections alfo allufion almoſt anſwer antient beauty becauſe befides beſt cafe character cifely circumftances claffic compofition conclufion confideration copied correfponding defcription defign difpofition diftinct Effay eſpecially Euripides exerciſe expreffion exprefs faid fame fancy feem feen fenfe fenfible fentiment feveral fhall fhew fhould figns fimilar fingle fion firſt fituation fome fometimes forms fpeak fpecies fpirit ftill ftriking fubject fucceeding fuch fufpicion fuppofe furniſh genius ginal GONDIBERT hath himſelf Homer idea imagery imita imitation inftance itſelf Jonfon juft juſt language leaft leaſt lefs manner ment Milton mind moft moſt muft muſt nature neceffary neceffity obfervation objects occafion original paffage paffion paſs perfon philofophy Plato pleaſure poem poet poetry prefent purpoſe racters reader reafon refemblance reflexions refpect repreſentation ſay Shakespeare ſpeak ſtate Statius thefe themſelves theſe things thofe thoſe thought tion tranflated ture ufually underſtand univerfally uſe Virgil whofe words worfe writers καὶ
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Страница 173 - Shakespeare, forget that the Pagan Imagery was familiar to all the Poets of his time ; and that abundance of this sort of learning was to be picked up from almost every English book that he could take into his hands.