The Complete Tales Of Washington IrvingHachette Books, 9.09.2009 г. - 840 страници Washington Irving (1783-1859) was the first American literary artist to earn his living solely through his writings and the first to enjoy international acclaim. In addition to his long public service as a diplomat, Irving was amazingly prolific: His collected works fill forty volumes that encompass essays, history, travel writings, and multi-volume biographies of Columbus and Washington. But it is Irving's mastery of suspense, characterization, tempo, and irony that transforms his fiction into virtuoso performances, earning him his reputation as the father of the American short story. Charles Neider has gathered all sixty-one of Irving's tales, originally scattered throughout his many collections of nonfiction essays and sketches, into one magnificent volume. Together, they reveal his wide range: besides the expected classics like "Rip Van Winkle," "The Spectre Bridegroom," "The Legend of Sleepy Hollow," and "The Devil and Tom Walker," his fiction embraces realistic tales, ghost stories, parodies, legends, fables, and satires. For those familiar only with secondhand retellings of Irving's most famous tales, this collection offers the opportunity to step inside Washington Irving's imagination and partake of its innumerable and timeless pleasures. |
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... whole story isa legpuller. Both ofthese amusing effects are typicalof Irving's artistic “resonance,” what in our own timewe like tocall ambiguity. After publishingthree tales inThe SketchBookandfour in Bracebridge Hall, Irving went ...
... whole story isa legpuller. Both ofthese amusing effects are typicalof Irving's artistic “resonance,” what in our own timewe like tocall ambiguity. After publishingthree tales inThe SketchBookandfour in Bracebridge Hall, Irving went ...
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... whole,— theseare among whatI aim at,andupon which Ifelicitate myself inproportion as I thinkIsucceed. Ihave preferred adopting the modeof sketches and shorttales rather than long works,because I chooseto take a lineof writingpeculiar to ...
... whole,— theseare among whatI aim at,andupon which Ifelicitate myself inproportion as I thinkIsucceed. Ihave preferred adopting the modeof sketches and shorttales rather than long works,because I chooseto take a lineof writingpeculiar to ...
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... He never seemed satisfied withthe whole of a story; never laughedwhenothers laughed; but always putthe joke tothe question. Henever could enjoythe kernel ofthenut,but pestered himself to get more out of the shell.” A.
... He never seemed satisfied withthe whole of a story; never laughedwhenothers laughed; but always putthe joke tothe question. Henever could enjoythe kernel ofthenut,but pestered himself to get more out of the shell.” A.
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... whole scene to myself. It is delightful, in thus bivouackingonthe prairies, tolie awake and gaze at the stars; itis like watching them from the deckofa shipat sea, when atone view we havethe whole scope of heaven. ...I do not know why ...
... whole scene to myself. It is delightful, in thus bivouackingonthe prairies, tolie awake and gaze at the stars; itis like watching them from the deckofa shipat sea, when atone view we havethe whole scope of heaven. ...I do not know why ...
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... whole group reminded Rip ofthe figuresin an old Flemish painting, inthe parlor ofDominie Van Shaick, thevillageparson, and which had been broughtover from Holland at the time of the settlement. Whatseemed particularlyodd toRip was,that ...
... whole group reminded Rip ofthe figuresin an old Flemish painting, inthe parlor ofDominie Van Shaick, thevillageparson, and which had been broughtover from Holland at the time of the settlement. Whatseemed particularlyodd toRip was,that ...
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