Feminism and Film Theory

Предна корица
Constance Penley
Psychology Press, 1988 - 271 страници
First published in 1988. Feminism and Film Theory traces the major issues in feminist film theory as they have evolved over the last decade. Comprised of essays that are classics of this intellectually sophisticated area of cultural studies, Feminism and Film Theory makes available much sought after essays that are often difficult to find. Empha-sizing the polemical challenge of feminism to film theory, this anthology forces us to reconsider film theory's most basic ideas about genre, narrative, image, spec-tatorship, and audience. The essays offer a model for a politically engaged critique of contemporary thought. Feminism and Film Theory will be of great interest to students and scholars concerned with film, critical theory, art and media, cultural studies, or feminism.

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Съдържание

The Place of Woman in the Cinema of Raoul Walsh
25
Critical Strategies
36
Approaching the Work of Dorothy Arzner
46
Visual Pleasure and Narrative Cinema
57
Afterthoughts on Visual Pleasure and Narrative Cinema
69
Rereading the Work of Claire Johnston
80
Feminine Discourse in Christopher Strong
89
The Popular Film as a Progressive Texta Discussion of Coma
104
Paranoia and the Film System
141
Enunciation and Sexual Difference
159
Interview with Raymond
186
The Inscription of Femininity as Absence
196
Filming the Female Body
216
The Cinema of Lol V Stein
244
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Информация за автора (1988)

Constance Penley teaches film history and theory at the University of Rochester and is co-editor of Camera Obscura: A journal of Feminism and Film Theory. She 1s the author of The Future of an Illusion: Film, Feminism, and Psychoanalysis.

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