Feminism and Film TheoryConstance Penley Psychology Press, 1988 - 271 страници First published in 1988. Feminism and Film Theory traces the major issues in feminist film theory as they have evolved over the last decade. Comprised of essays that are classics of this intellectually sophisticated area of cultural studies, Feminism and Film Theory makes available much sought after essays that are often difficult to find. Empha-sizing the polemical challenge of feminism to film theory, this anthology forces us to reconsider film theory's most basic ideas about genre, narrative, image, spec-tatorship, and audience. The essays offer a model for a politically engaged critique of contemporary thought. Feminism and Film Theory will be of great interest to students and scholars concerned with film, critical theory, art and media, cultural studies, or feminism. |
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... Progressive Text - a Discussion of Coma Elizabeth Cowie 9 Paranoia and the Film System Jacqueline Rose 1 25 36 46 57 69 80 68 89 104 141 10 Enunciation and Sexual Difference Janet Bergstrom 159 11 Alternation , Segmentation , Hypnosis ...
... Progressive Text - a Discussion of Coma Elizabeth Cowie 9 Paranoia and the Film System Jacqueline Rose 1 25 36 46 57 69 80 68 89 104 141 10 Enunciation and Sexual Difference Janet Bergstrom 159 11 Alternation , Segmentation , Hypnosis ...
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Съдържание
The Place of Woman in the Cinema of Raoul Walsh | 25 |
Critical Strategies | 36 |
Approaching the Work of Dorothy Arzner | 46 |
Visual Pleasure and Narrative Cinema | 57 |
Afterthoughts on Visual Pleasure and Narrative Cinema | 69 |
Rereading the Work of Claire Johnston | 80 |
Feminine Discourse in Christopher Strong | 89 |
The Popular Film as a Progressive Texta Discussion of Coma | 104 |
Paranoia and the Film System | 141 |
Enunciation and Sexual Difference | 159 |
Interview with Raymond | 186 |
The Inscription of Femininity as Absence | 196 |
Filming the Female Body | 216 |
The Cinema of Lol V Stein | 244 |
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Често срещани думи и фрази
aggressivity analysis Anne-Marie Stretter apparatus audience Barthes beggarwoman birds Cahiers du Cinéma Camera Obscura castration Caught character Christopher Strong classical film codes Coma constructed contradictions Cynthia desire diegesis diegetic displaced Dorothy Arzner effect enunciation essay example fantasy female spectator feminine discourse feminist film fetish fiction film theory film's filmic Freud function Genevieve Bujold Gerry Hitchcock Hollywood identification ideology imaginary India Song Joan Johnston Lacan language Laplanche Laura Mulvey Leonora logic look male Marguerite Duras Marnie masculine meaning Melanie's Metz mirror Mitch movement Mulvey narration narrative North by Northwest object Oedipal Ohlrig paranoia patriarchal phallus phantasy position present problem protagonist psychoanalysis question Raoul Walsh Raymond Bellour Rebecca relation relationship repetition representation represents role Savannakhet scene scopophilia screen segment sequence sexual difference shot signifier specific story strategy structure Susan Wheeler suspense symbolic takes textual tion Vice Consul voices voyeurism woman women Women's Cinema