The Metaphoric Structure of Paradise LostJHU Press, 3.02.2020 г. - 194 страници Originally published in 1962. The rise of "metaphoric" criticism is a reaction against a previous critical preoccupation with psychology and time. Milton spatialized time, thoroughly mastering a metaphoric technique. The Metaphoric Structure of Paradise Lost, after discussing the influences that shaped Milton's aesthetic, systematically examines the structural components of Paradise Lost—light, darkness, and vertical movement—and finds that they imitate, metaphorically, the overall theme of the epic. To test further the implications of his hypothesis, Professor Cope turns to two unsettled points in Miltonic exegesis: Milton's muse and the dialogue in Heaven. |
Съдържание
RAMISTIC IMPLICATIONS | |
TIME AND SPACE AS MILTONIC SYMBOL | |
SCENIC STRUCTURE IN Paradise Lost | |
THE CREATING VOICE | |
EPILOGUE | |
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Често срещани думи и фрази
Adam Adam and Eve Adam’s aesthetic anadiplosis angels argument ascent become blindness Book bright Broadbent Cambridge Christ close course creation Criticism deep descended dialogue discussion divine doctrina Donne echoes epanalepsis epic essay eternal Eve’s evil eyes fall’n Father felix culpa Finnegans Wake flaming fortunate fall glory God’s Heav’n heaven hell highth Holy Ibid imagistic implied infernal invocation John John Donne John Hoskyns John Milton Joyce’s light and dark light imagery logic London man’s metaphor Metaphysical Metaphysical Poetry Milton modern Morn movement myth mythic Name narrative nature Night noon opening Paradise Lost Paradise Regained paradox parody pattern physical poem poet poet’s poetic poetry Puritan rais’d Ramistic Ramus Raphael reader Renaissance rhetorical rising Satan scene scriptural sense Seventeenth Century sight Siloa simile space spatial spiritual Stars Stein structure symbolic synecdochic temporal things thir thou tradition Tuve vertical vision words