The Table Talk and Omniana of Samuel Taylor ColeridgeH. Milford, Oxford University Press, 1917 - 500 страници |
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... Shakespeare's intellectual action is wholly unlike that of Ben Jonson , or Beaumont and Fletcher . The latter see the totality of a sentence or a passage , and then project it entire . Shakespeare goes on creating , and evolving B out ...
... Shakespeare's intellectual action is wholly unlike that of Ben Jonson , or Beaumont and Fletcher . The latter see the totality of a sentence or a passage , and then project it entire . Shakespeare goes on creating , and evolving B out ...
Страница 33
... Shakespeare learned the spirit of the character from the Spanish poetry , which was prevalent in England in his time.1 Jealousy does not an agony that the creature , whom he had believed angelic , strike me as the point in his passion ...
... Shakespeare learned the spirit of the character from the Spanish poetry , which was prevalent in England in his time.1 Jealousy does not an agony that the creature , whom he had believed angelic , strike me as the point in his passion ...
Страница 34
Samuel Taylor Coleridge Coventry Patmore. old tower . But Shakespeare drops a handkerchief , and the same or greater effects follow . Lear is the most tremendous effort of Shakespeare as a poet ; Hamlet as a philosopher or meditator ...
Samuel Taylor Coleridge Coventry Patmore. old tower . But Shakespeare drops a handkerchief , and the same or greater effects follow . Lear is the most tremendous effort of Shakespeare as a poet ; Hamlet as a philosopher or meditator ...
Страница 44
... Shakespeare by flashes of lightning . I do not think him thorough - bred gentleman enough to play Othello . Sir James Mackintosh is the king of the men of talent . He is a most elegant converser . How well I remember his giving ...
... Shakespeare by flashes of lightning . I do not think him thorough - bred gentleman enough to play Othello . Sir James Mackintosh is the king of the men of talent . He is a most elegant converser . How well I remember his giving ...
Страница 55
... Shakespeare is a greater dramatist than I. ' But how immeasurably more foolish , more monstrous , would it not be for a man , however honest , good , or wise , to say , ' But Jehovah is greater than I ! ' May 8 , 1824 . PLATO AND ...
... Shakespeare is a greater dramatist than I. ' But how immeasurably more foolish , more monstrous , would it not be for a man , however honest , good , or wise , to say , ' But Jehovah is greater than I ! ' May 8 , 1824 . PLATO AND ...
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absurd admiration argument Beaumont and Fletcher beautiful believe Ben Jonson better called Catholic character Christ Christian Church Coleridge Coleridge's delightful divine doctrine doubt effect England English Epistle of Barnabas existence expressed fact faith fancy fear feeling French genius German Greek happiness heart heaven House of Commons human idea imagination instance intellectual interest Jeremy Taylor Jews judgement King language Lord Lord Byron means ment Milton mind moral nation nature never object observe once opinion passage passion person philosophy Plato poem poet poetry political present principle Pythagoras reason Reform religion remarkable Roman Samuel Taylor Coleridge seems sense Shakespeare Sir Francis Burdett Socinian soul Southey's spirit sure TABLE TALK thee thing thou thought tion true truth understanding Unitarians verse Whig whilst whole wish words writings καὶ
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Страница 195 - But who is this ? what thing of sea or land ? Female of sex it seems, That, so bedeck'd, ornate, and gay, Comes this way, sailing Like a stately ship Of Tarsus, bound for the isles Of Javan or Gadire, With all her bravery on, and tackle trim, Sails fill'd, and streamers waving, Courted by all the winds that hold them play...
Страница 468 - Licence they mean when they cry Liberty; For who loves that must first be wise and good ; But from that mark how far they rove we see, For all this waste of wealth and loss of blood.
Страница 309 - Forth rush'd with whirlwind sound The chariot of Paternal Deity, Flashing thick flames, wheel within wheel undrawn, Itself instinct with spirit, but convoy'd By four cherubic shapes ; four faces each Had wondrous ; as with stars, their bodies all, And wings, were set with eyes; with eyes the wheels Of beryl, and careering fires between...
Страница 449 - Fie, fie upon her ! There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body.
Страница 189 - IV. Forgive me, Freedom ! O forgive those dreams ! I hear thy voice, I hear thy loud lament, From bleak Helvetia's icy cavern sent — I hear thy groans upon her blood-stained streams ! Heroes, that for your peaceful country perished, And ye that, fleeing, spot your mountain-snows With bleeding wounds ; forgive me, that I cherished...
Страница 331 - He tugg'd, he shook, till down they came and drew The whole roof after them, with burst of thunder Upon the heads of all who sat beneath, Lords, ladies, captains, counsellors...
Страница 293 - The effect and it! Come to my woman's breasts, And take my milk for gall, you murdering ministers. Wherever in your sightless substances You wait on nature's mischief! Come, thick night, And pall thee in the dunnest smoke of hell, That my keen knife see not the wound it makes, Nor heaven peep through the blanket of the dark, To cry " Hold, hold !
Страница 73 - I wish our clever young poets would remember my homely definitions of prose and poetry ; that is, prose = words in their best order ; — poetry = the best words in the best order.
Страница 220 - This beauty, in the blossom of my youth, When my first fire knew no adulterate incense, Nor I no way to flatter, but my fondness, In all the bravery my friends could...
Страница 65 - Hamlet's character is the prevalence of the abstracting and generalizing habit over the practical. He does not want courage, skill, will, or opportunity; but every incident sets him thinking; and it is curious, and at the same time strictly natural, that Hamlet, who all the play seems reason itself, should be impelled, at last, by mere accident to effect his object. I have a smack of Hamlet myself, if I may say so.