Writing the Character-Centered Screenplay, Updated and Expanded edition

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University of California Press, 23.02.2000 г. - 249 страници
"We need good screenwriters who understand character." Everywhere Andrew Horton traveled in researching this book—from Hollywood to Hungary—he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on plot and formulaic structures.

With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay. Exceptionally wide-ranging—covering American, international, mainstream, and "off-Hollywood" films, as well as television—the book offers creative strategies and essential practical information.

Horton begins by placing screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. He then suggests specific techniques and concepts to help any writer—whether new or experienced—build more vivid characters and screenplays. Centering his discussion around four film examples—including Thelma & Louise and The Silence of the Lambs—and the television series, Northern Exposure, he takes the reader step-by-step through the screenwriting process, starting with the development of multi-dimensional characters and continuing through to rewrite. Finally, he includes a wealth of information about contests, fellowships, and film festivals.

Espousing a new, character-based approach to screenwriting, this engaging, insightful work will prove an essential guide to all of those involved in the writing and development of film scripts.
 

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Introduction
1
CHARACTER
23
The Feast of Becoming Carnival and Character
25
Varieties of Voices Within Character
45
Five NotSoEast Pieces Analysis of CharacterCentered Scripts
63
NARRATIVE AND STRUCTURE
89
Beyond the Classical Hollywood Structure
91
Developing a CharacterCentered Narrative
101
The FourteenWeek Character Developing Schedule
130
The FourteenWeek Feature Screenplay
154
LAUNCHING YOUR SCRIPT
177
From Rewrite to Screen An Overview of Options
179
Live Writers Talking Screenwriting 2000 and Beyond
195
Coverage
207
SelfCritiques
209
Your Personal Screenwriting and Video Library
213

Pitching
113
WRITING
121
Prelude to a Screenplay
123
At Long Last the Recipe for a Screenwriters Gumbo with Character
221
Index
225
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Страница vi - If you start with a real personality, a real character, then something is bound to happen; and you don't have to know what before you begin. In fact it may be better if you don't know what before you begin. You ought to be able to discover something from your stories. If you don't, probably nobody else will.

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