Hyperboles, though ne'er so great, He lost his friends, his practice fail'd; For no one sent the second pay. He placed in view; resolved to please, All things were set, the hour was come, His pallet ready o'er his thumb; My Lord appear'd, and seated right, In proper attitude and light. The Painter look'd, he sketch'd the piece, Then dipt his pencil, talk'd of Greece, -“Those eyes, my Lord, the spirit there (1) Truth, like the shower-bath, requires in most men, a preparative discipline, efore their nerves are rendered capable of bearing the shock of it. Might well a Raphael's hand require, The features, fraught with sense and wit, "Observe the work!"-My Lord replied My Lord examined it anew; No looking-glass seem'd half so true. Had he the real likeness shown, Would any man the picture own? But when thus happily he wrought, Each found the likeness in his thought.1 (1) See some admirable remarks upon the nature of vanity in Montaigne's Essays, p. 173, Hazlitt's ed.: also Arist. Ethics, b. iv. c. 7. The man who relies for his success, like the painter in the fable, upon the vanity of the world, draws upon a bank which never fails to honour such cheques at sight; for pride and self-love within the heart, hold common cause for its destruction with the falsehood and flattery of the world outside, and no man would ever be duped by another, except he had first played the knave to himself! How fond are men of rule and place, They love the cellar's vulgar joke, So poor, so paltry, is their pride! (1) The moral of this fable, as in the case of most others of our author, is placed at the commencement, instead of at the end, of the story. Nay, e'en with fools, whole nights will sit, If these can read, to these I write, To set their worth in truest light. Fond of applause, he sought the feasts With asses all his time he spent, He caught their manners, looks, and airs; He seeks his royal sire's retreat; (1) It is the characteristic of vulgar minds to grow close to earth, like the mushroom, rather than to tower to heaven, like the oak; and low natures, whose only relic of perhaps, noble descent, is an appetency of power, seek the gratification of this lust, in haunts of vice or pollution, which sometimes they defend, under the questionable pretext of, "seeing life!" In our day especially, the exhibition of kennel existence, in numerous tales and cheap publications current, glosses vulgarity over with a false attraction, and we fancy the cur has become a spaniel, because his coat is combed, in the portrait given of him by some popular writer, until the low habit of his innate disposition, discovers itself to our disgust! Carew, the king of the beggars, was a most remarkable instance of this love of self-degradation, who, though the son of a clergyman, and descended from some of our noblest families, ran away from school, joined the gipsies, and prostituted the finest talents to fraud and robbery, which obtained him the dignity of a titular sovereignty, to which, unfortunately,-transportation was attached. He terminated a long and eventful life in obscurity, which would have better become him throughout, than the glory of a successful vagrant, and the distinction of an arch-rogue. |