The Cambridge Companion to Adorno

Предна корица
Tom Huhn
Cambridge University Press, 5.07.2004 г. - 428 страници
Introduction: thoughts beside themselves Tom Huhn 1 Negative dialectic as fate: Adorno and Hegel J.M. Bernstein 2 Weighty objects: on Adorno's Kant-Freud interpretation Joel Whitebook 3 Adorno, Marx, materialism Simon Jarvis 4 Leaving home: on Adorno and Heidegger Samir Gandesha 5 Is experience still in crisis? Reflections on a Frankfurt school lament Martin Jay 6 Mephistopheles in Hollywood: Adorno, Mann and Schoenberg James Schmidt 7 Right listening and a new type of human being Robert Hullot-Kentor 8 Authenticity and failure in Adorno's aesthetics of music Max Paddison 9 Dissonant works and the listening public Lydia Goehr 10 Adorno, Heidegger and the meaning of music Andrew Bowie 11 The critical theory of society as reflexive sociology Stefan Müller-Doohm 12 Genealogy and critique: two forms of ethical questioning of morality Christoph Menke 13 Adorno's negative moral philosophy Gerhard Schweppenhäuser 14 Adorno's social lyric, and literary criticism today: poetics, aesthetics, modernity Robert Kaufman 15 Adorno's Tom Sawyer opera Singspiel Rolf Tiedemann.
 

Съдържание

Adorno and Hegel
19
On Adornos KantFreud
51
Adorno Marx Materialism
79
On Adorno and Heidegger ΙΟΙ
101
Is Experience Still in Crisis? Reflections on
129
Adorno Mann
148
Right Listening and a New Type of Human Being
181
Authenticity and Failure in Adornos Aesthetics
198
Adorno Heidegger and the Meaning of Music
248
The Critical Theory of Society as Reflexive
279
Two Forms of Ethical
302
Adornos Negative Moral Philosophy
328
Adornos Social Lyric and Literary Criticism
354
Adornos Tom Sawyer Opera Singspiel
376
Select Bibliography
395
Index
421

Dissonant Works and the Listening Public
222

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Информация за автора (2004)

Thomas Huhn is Assistant Professor of Philosophy and Letters at Wesleyan University, Connecticut.

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