Chicago Poems

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University of Illinois Press, 1992 - 183 страници
Now considered possibly Illinois' greatest poet, Carl Sandburg (1878-1967) saw himself as a bard of the working class. Chicago Poems brought him to national attention and is one of the few Chicago classics that can also be termed an American classic. It includes such famous poems as "Chicago" and "Fog," as well as many others whose subjects range from the lives of ordinary citizens to city scenes and World War I. Written in powerful free verse, the poems are notable for their realistic portrayal of the struggle of working people and their focus on the lyric beauty of the urban environment.

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CHICAGO
3
SKETCH
5
MASSES
6
LOST
7
THE HARBOR
8
THEY WILL SAY
9
MILLDOORS
10
HALSTED STREET CAR
11
WARS
96
THE ROAD AND THE END
97
THE ROAD AND THE END
99
CHOICES
100
GRAVES
101
AZTEC MASK
102
MOMUS
103
THE ANSWER
105

CLARK STREET BRIDGE
12
PASSERSBY
13
THE WALKING MAN OF RODIN
14
SUBWAY
15
THE SHOVEL MAN
16
A TEAMSTERS FAREWELL
17
FISH CRIER
18
PICNIC BOAT
19
HAPPINESS
20
MUCKERS
21
BLACKLISTED
22
GRACELAND
23
CHILD OF THE ROMANS
24
THE RIGHT TO GRIEF
25
MAG
27
ONION DAYS
28
POPULATION DRIFTS
30
CRIPPLE
31
A FENCE
32
ANNA IMROTH
33
WORKING GIRLS
34
MAMIE
35
PERSONALITY
36
CUMULATIVES
37
TO CERTAIN JOURNEYMEN
38
CHAMFORT
39
LIMITED
40
THE HASBEEN
41
IN A BACK ALLEY
42
A COIN
43
DYNAMITER
44
ICE HANDLER
45
JACK
46
FELLOW CITIZENS
47
NIGGER
49
TWO NEIGHBORS
50
STYLE
51
TO BEACHEY 1912
52
UNDER A HAT RIM
53
IN A BREATH
54
BATH
55
BRONZES
56
DUNES
58
ON THE WAY
59
READY TO KILL
60
TO A CONTEMPORARY BUNKSHOOTER
61
SKYSCRAPER
65
HANDFULS
69
FOG
71
POOL
72
JAN KUBELIK
73
CHOOSE
74
CRIMSON
75
WHITELIGHT
76
FLUX
77
KIN
78
WHITE SHOULDERS
79
LOSSES
80
TROTHS
81
WAR POEMS 19141915
83
KILLERS
85
AMONG THE RED GUNS
87
IRON
88
MURMURINGS IN A FIELD HOSPITAL
89
STATISTICS
90
FIGHT
91
BUTTONS
92
AND THEY OBEY
93
JAWS
94
SALVAGE
95
TO A DEAD MAN
107
UNDER
108
A SPHINX
109
WHO AM I?
110
OUR PRAYER OF THANKS
111
FOGS AND FIRES
113
AT A WINDOW
115
UNDER THE HARVEST MOON
116
THE GREAT HUNT
117
MONOTONE
118
JOY
119
SHIRT
120
AZTEC
121
TWO
122
BACK YARD
123
ON THE BREAKWATER
124
MASK
125
PEARL FOG
126
I SANG
127
FOLLIES
128
JUNE
129
NOCTURNE IN A DESERTED BRICKYARD
130
HYDRANGEAS
131
THEME IN YELLOW
132
BETWEEN TWO HILLS
133
LAST ANSWERS
134
WINDOW
135
YOUNG SEA
136
BONES
138
PALS
139
CHILD
140
POPPIES
141
CHILD MOON
142
MARGARET
143
SHADOWS
145
POEMS DONE ON A LATE NIGHT CAR
147
II USED UP
148
III HOME
149
IT IS MUCH
150
TRAFFICKER
151
HARRISON STREET COURT
152
SOILED DOVE
153
JUNGHEIMERS
154
GONE
155
OTHER DAYS 19001910
157
DREAMS IN THE DUSK
159
DOCKS
160
ALL DAY LONG
161
WAITING
162
FROM THE SHORE
163
UPLANDS IN MAY
164
DREAM GIRL
165
PLOWBOY
166
BROADWAY
167
OLD WOMAN
168
NOON HOUR
169
BOES
170
UNDER A TELEPHONE POLE
171
I AM THE PEOPLE THE MOB
172
GOVERNMENT
173
LANGUAGES
175
LETTERS TO DEAD IMAGISTS
176
SHEEP
177
THE RED SON
178
THE MIST
180
THE JUNK MAN
181
SILVER NAILS
182
GYPSY
183
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Информация за автора (1992)

The son of Swedish immigrants, Sandburg was born in Galesburg, Illinois. At age 13 he left school to roam the Midwest; he remained on the road for six years, working as a day laborer. Sandburg served in the Spanish-American War and then, from 1898 to 1902, attended Lombard College in Galesburg. After college, he went to Milwaukee, where he worked as a journalist; he also married Lillian Steichen there in 1908. During World War I, he served as a foreign correspondent in Stockholm; after the war he returned to Chicago and continued to write about America, especially the common people. Sandburg's first poems to gain wide recognition appeared in Poetry magazine in 1914. Two years later he published his Chicago Poems (1916), and Cornhuskers appeared in 1918. Meanwhile, Sandburg set out to become an authority on Abraham Lincoln (see Vol. 3). His exhaustive biography of the president, which took many years to complete, appeared as Abraham Lincoln: The Prairie Years (2 vols., 1926) and Abraham Lincoln: The War Years (4 vols., 1939), which won a Pulitzer Prize. Sandburg's poetry is untraditional in form. Drawing on Whitman as well as the imagists, its rhymeless and unmetered cadences reflect Midwestern speech, and its diction ranges from strong rhetoric to easygoing slang. Although he often wrote about the uncouth, the muscular, and the primitive, there was a pity and loving kindness that was a primary motive for his poetry. At Sandburg's death, Mark Van Doren, Archibald MacLeish, and President Lyndon Johnson delivered eulogies. In his tribute, President Johnson said that "Carl Sandburg was more than the voice of America, more than the poet of its strength and genius. He was America.... He gave us the truest and most enduring vision of our own greatness." The N.Y. Times described Sandburg as "poet, newspaper man, historian, wandering minstrel, collector of folk songs, spinner of tales for children, [whose] place in American letters is not easily categorized. But it is a niche that he has made uniquely his own." Sandburg was the labor laureate of the United States. Sandburg received the Pulitzer Prize for poetry in 1951 for his Complete Poems (1950). Among his many other awards were the gold medal for history and biography (1952) from the American Academy of Arts and Letters; the Poetry Society of America's gold medal (1953) for distinguished achievement; and the Boston Arts Festival Award (1955) in recognition of "continuous meritorious contribution to the art of American poetry." In 1959 he traveled under the auspices of the Department of State to the U.S. Trade Fair in Moscow, and to Stockholm, Paris, and London. In 1960 he received a citation from the U.S. Chamber of Commerce as a great living American for the "significant and lasting contribution which he has made to American literature."

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