Shakespearean CriticismCengage Gale, 2002 - 432 страници This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Страница 8
... give your cause to heaven " ( IV.iii . 123-24 ) . Heaven should have had Isabella's cause immediately . Her novice's habit notwithstanding , Isabella demonstrates neither temperance nor charity . Before the Duke gives her " heavenly ...
... give your cause to heaven " ( IV.iii . 123-24 ) . Heaven should have had Isabella's cause immediately . Her novice's habit notwithstanding , Isabella demonstrates neither temperance nor charity . Before the Duke gives her " heavenly ...
Страница 84
... give freely or without constraint , insinuating thus much , that how great soever the authority of parents is in that behalf , yet the children or parties promised or espoused , are to give their consent freely and voluntarily ; or at ...
... give freely or without constraint , insinuating thus much , that how great soever the authority of parents is in that behalf , yet the children or parties promised or espoused , are to give their consent freely and voluntarily ; or at ...
Страница 163
... give up both his first and last name and to give Juliet absolute control over him : he claims to be " neither [ Romeo nor a Montague ] , fair maid , if either thee dislike " ( line 61 ) . The following quick interchange ( lines 52-84 ) ...
... give up both his first and last name and to give Juliet absolute control over him : he claims to be " neither [ Romeo nor a Montague ] , fair maid , if either thee dislike " ( line 61 ) . The following quick interchange ( lines 52-84 ) ...
Съдържание
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
Авторско право | |
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action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young