Shakespearean CriticismCengage Gale, 2002 - 432 страници This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Страница 129
... begins with the Prologue and never disappears from the text . Like other rhetorical devices , it interacts with different kinds of figures : Friar Laurence's staid arguments in 3.3 and 4.4 include wordplay . Often it destabilizes ...
... begins with the Prologue and never disappears from the text . Like other rhetorical devices , it interacts with different kinds of figures : Friar Laurence's staid arguments in 3.3 and 4.4 include wordplay . Often it destabilizes ...
Страница 156
... begins to resolve in favor of revenge : " O sweet Juliet , / Thy beauty hath made me effeminate / And in my temper soft'ned valor's steel " ( 115-17 ) . Benvolio's reentrance to announce Mercutio's death but fans the flame as Romeo ...
... begins to resolve in favor of revenge : " O sweet Juliet , / Thy beauty hath made me effeminate / And in my temper soft'ned valor's steel " ( 115-17 ) . Benvolio's reentrance to announce Mercutio's death but fans the flame as Romeo ...
Страница 205
... begins , Capulet makes some attempts to catch his wife's eye , but she refuses to look at him . Her tone when she speaks to Paris is strained . After Capulet proposes the marriage , she brightens up , and smiles at him , for the first ...
... begins , Capulet makes some attempts to catch his wife's eye , but she refuses to look at him . Her tone when she speaks to Paris is strained . After Capulet proposes the marriage , she brightens up , and smiles at him , for the first ...
Съдържание
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
Авторско право | |
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action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young