Shakespearean CriticismCengage Gale, 2002 - 432 страници This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Страница 322
... King Duncan , he trembles also before the image of King Macbeth , a being shaped not by time but by his own devices , a sublime creation , greater than himself , a King of kings , and killer of kings . It is this doubly frightening ...
... King Duncan , he trembles also before the image of King Macbeth , a being shaped not by time but by his own devices , a sublime creation , greater than himself , a King of kings , and killer of kings . It is this doubly frightening ...
Страница 324
... king ( 5.7.1-2 ) , Macbeth for his part has come to perceive it rather as a poisoned chalice which men raise to their own lips , a sickly wheel which returns to plague the inven- tor - though there is , of course , no " inventor , " no ...
... king ( 5.7.1-2 ) , Macbeth for his part has come to perceive it rather as a poisoned chalice which men raise to their own lips , a sickly wheel which returns to plague the inven- tor - though there is , of course , no " inventor , " no ...
Страница 326
... King's decree that poor players should be heard no more : for Holinshed reports that Makbeth was the first Scottish king to outlaw such vain and foolish entertainments : " Counterfeit fooles , minstrels , iesters , and these kind of ...
... King's decree that poor players should be heard no more : for Holinshed reports that Makbeth was the first Scottish king to outlaw such vain and foolish entertainments : " Counterfeit fooles , minstrels , iesters , and these kind of ...
Съдържание
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
Авторско право | |
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action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young