Stages and Playgoers: From Guild Plays to ShakespeareMcGill-Queen's Press - MQUP, 2002 - 241 страници The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the audience world to the stage. These exchanges appear frequently in late-medieval drama and continue to be crucial stage strategies for Shakespeare, in whose work they grow and change. By examining a native dramatic tradition not fully explored before, Hill proposes new ways to imagine historical and contemporary performances. Stages and Playgoers will be invaluable for students of cultural studies, medieval and Renaissance studies, theatre history, and stagecraft. |
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... soliloquies . " She argues that open address is a strategy that challenges playgoers , asking for answers that lie outside the stage in the playgoer / playhouse world . The tradition of direct address has little to do with the ...
... soliloquies . " She argues that open address is a strategy that challenges playgoers , asking for answers that lie outside the stage in the playgoer / playhouse world . The tradition of direct address has little to do with the ...
Страница 6
... known by other names : " asides , " " monologues , " and " soliloquies . " For the last of these in particular I explain my reasons for renaming the concept . In general , the purpose of placing these 6 Stages and Playgoers.
... known by other names : " asides , " " monologues , " and " soliloquies . " For the last of these in particular I explain my reasons for renaming the concept . In general , the purpose of placing these 6 Stages and Playgoers.
Страница 13
... soliloquies , " Wolfgang Clemen calls them " self - interro- gating " ; what I want to add is that these speeches are also " audience- interrogating . " Some " monologues " are in fact " dialogues " with the playgoers . My fundamental ...
... soliloquies , " Wolfgang Clemen calls them " self - interro- gating " ; what I want to add is that these speeches are also " audience- interrogating . " Some " monologues " are in fact " dialogues " with the playgoers . My fundamental ...
Страница 139
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Страница 140
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Съдържание
Oure Play | 15 |
Nonce Plays | 76 |
I Know You All | 109 |
Open Address in the Romances | 161 |
Notes | 185 |
221 | |
235 | |
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