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" Behind the narrator's story we read a second story, the author's story; he is the one who tells us how the narrator tells stories, and also tells us about the narrator himself. We acutely sense two levels at each moment in the story; one, the level of... "
Improvised Dialogues: Emergence and Creativity in Conversation
по Robert Keith Sawyer - 2003 - 262 страници
Няма достъп - Информация за книгата

CONGRESS volume: Salamanca 1983 ; ed. by J.A. Emerton

International Organization for the Study of the Old Testament. Congress - 1985 - 326 страници
...meaning (or meanings) of which is certainly a major task of the reader to discover. As Bakhtin writes: Behind the narrator's story we read a second story, the author's story; he is the one who tells us how the narrator tells stories, and also tells us about the narrator himself...
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Faulkner's Subject: A Cosmos No One Owns

Philip M. Weinstein - 1992 - 210 страници
...fiction. 16 Of course his seeming to disappear is a powerful way of being present. Bakhtin writes: "Behind the narrator's story we read a second story, the author's story; he is the one who tells us how the narrator tells stories, and also tells us about the narrator himself....
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Samuel and the Deuteronomist: A Literary Study of the Deuteronomic History ...

Robert Polzin - 1993 - 320 страници
...some would say, to invent. As Bakhtin writes, in a slightly different context but fully relevant here: "Behind the narrator's story we read a second story, the author's story; he is the one who tells us how the narrator tells stories, and also tells us about the narrator himself."9...
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The Art and Vision of Flannery O'Connor

Robert H. Brinkmeyer, Jr. - 1993 - 224 страници
...interaction is at work must always be aware of what he calls the second story, the story behind the story. "Behind the narrator's story we read a second story, the author's story," Bakhtin writes in "Discourse in the Novel"; "he is the one who tells us how the narrator tells stories,...
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The Contexts of Bakhtin: Philosophy, Authorship, Aesthetics

David Shepherd - 1998 - 254 страници
...1960s, seems to echo what Bakhtin had already said in "Discourse in the Novel", where he maintained that "Behind the narrator's story we read a second story, the author's story; a story about what the narrator narrates, and also about the narrator himself (DN, 314; translation...
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Therapeutic Dimensions of Autobiography in Creative Writing

Celia Hunt - 2000 - 214 страници
...Thus, we find out about the author through the dialogue with the voices of the narrator or character: Behind the narrator's story we read a second story, the author's story; he is the one who tells us how the narrator tells stories, and also tells us about the narrator himself....
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The Story of Jazz: Toni Morrison's Dialogic Imagination

Justine Tally - 2001 - 174 страници
...necessary to understand the author's "control and design" (Lodge, 158) in its development. Writes Bakhtin, Behind the narrator's story we read a second story, the author's story; he is the one who tells us how the narrator tells stories, and also tells us about the narrator himself....
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Where "Indians" Fear to Tread?: A Postmodern Reading of Louise Erdrich's ...

Fabienne C. Quennet - 2001 - 260 страници
...the problems and processes involved in the act of narration" (193), or as Mikhail M. Bakhtin puts it: "[b]ehind the narrator's story we read a second story, the author's story; he is the one who tells us how the narrator tells stories, and also tells us about the narrator himself...
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Feminism and Dialogics: Charlotte Perkins, Meridel Le Sueur, Mikhail M. Bakhtin

Carolina Núñez Puente - 2006 - 218 страници
...on the subject of the story as a point of view that differs from the point of view of the narrator. Behind the narrator's story, we read a second story, the author's story; [s]he is the one who tells us how the narrator tells stories, and also tells us about the narrator...
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