What were the praise if Virtue idly stood, Though fhunning ill, unactive and fupine, Like painted funs, that warm not while they shine? Flows out, and meets another's joys and pains, And in imparted pleasures seeks its own. Hence grows the fenfe of Friendship's generous fires, Hence ftreams of good in conftant actions flow, A foul thus form'd, and fuch a foul is here, Needs not the dangerous teft of riches fear, But, unfubdued to wealth, may fafely stand, And count o'er heaps with an unsully'd hand. Heaven that knew this, and where t' intrust its ftore, And, bleffing one, oft' bleffes many more, First gave a will to give, then fitly join'd A liberal fortune to a liberal mind. With fuch a graceful eafe her bounty flows; She gives, and scarce that he's the giver knows, But feems receiving most, when the the most beftows. Rich in herself, well may the value more Her wealth within, the mind's immortal ftore; Well Well-feafon'd mitth, and wisdom unfevere, Gifts that alone from Nature's bounty flow, Oft too abroad fhe cafts a friendly eye, Yet Yet ftops not there, but its free courfe maintains, O generous ufe of power! O virtuous pride! Ne'er may the means be to fuch fouls deny'd, Executors of Heaven's all-bounteous will, Who well the great Firft-giver's ends fulfil, Who, from fuperior heights ftill looking down On glittering heaps, which fearce they think their own, Defpife the empty fhow of ufeiefs state, And only would by doing good be great! Now paufe a while, my Mufe, and then renew The pleasing taik, and take a second view! * A train of virtues yet undrawn appear; Here just Oeconomy, ftrict Prudence there; This guides her judgment, that directs her hand. And wanton Luxury, like birds of prey. But wherefore ftarts the Painter-Mufe, and why, The piece unfinish'd, throws the pencil by? T 2 Methinks, Methinks, (he fays), Humility I hear, With gentle voice reproving, cry-Forbear! "Me vero primum dulces ante omnia Mufæ VIRG. ADVERTISEMENT. It may be proper to acquaint the reader that the following poem was begun on the model of a Latin ode of Cafimire, intitled E REBUS HUMANIS EXCESSUS, from which it is plain that COWLEY likewife took the first hint of his ode called the ECSTASY. The former part therefore is chiefly an imitation of that ode, though with confiderable variations, and the addition of the whole fecond stanza, ftanza, except the first three lines: but the plan itself feeming capable of a farther improvement, the latter part, which attempts a fhort view of the heavens according to the modern philofophy, is entirely original, and not founded on any thing in the Latin author. I I. LEAVE Mortality's low fphere. Ye winds and clouds, come lift me high, Swift through the regions of the fky. Of heavenly and of earthly gods) And all the mafs of earth and fea; Oh object well deserving tears! Capricious ftate of things below, That, changeful from their birth, no fix'd duration know! I 3 II. Here |