"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 страници |
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Страница 125
... audience was generally una- ware of the iniquities in relation to the prosecution of supposed witches : " The obvious injustice and error involved in the witchhunts of the sixteenth and seventeenth centuries makes us sympathize with the ...
... audience was generally una- ware of the iniquities in relation to the prosecution of supposed witches : " The obvious injustice and error involved in the witchhunts of the sixteenth and seventeenth centuries makes us sympathize with the ...
Страница 143
... audience ( cf. McLuskie , Dekker and Heywood 147 , 149 ) . The witch figure represents the criminalized individual in a field of tensions to sociological patterns of behaviour . Despite the ambiguity of being both witch and victim ...
... audience ( cf. McLuskie , Dekker and Heywood 147 , 149 ) . The witch figure represents the criminalized individual in a field of tensions to sociological patterns of behaviour . Despite the ambiguity of being both witch and victim ...
Страница 287
... audience and certainly gave rise to interest and fascination . They may also have functioned as a contribution to the contemporary negotiations of gender categories and the belief in witch- craft , since their conception raises several ...
... audience and certainly gave rise to interest and fascination . They may also have functioned as a contribution to the contemporary negotiations of gender categories and the belief in witch- craft , since their conception raises several ...
Съдържание
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Авторско право | |
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Често срещани думи и фрази
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