The New Oxford Guide to Writing
Oxford University Press, 1988 - 327 страници
Many books on writing tell you how to think more creatively, how to conjure up an idea from scratch. Many, once you have an idea, show you how to express it clearly and elegantly. And many handbooks offer reliable advice on the use of commas, semicolons, and so forth. But The New Oxford Guide to Writing does all three, so that no matter where you find yourself in the writing process--from the daunting look of a blank page, to the rough draft that needs shaping, to the small but important questions of punctuation--you will find what you need in one handy, all-inclusive volume.
Highlighted by numerous examples of successful prose--including marvelous, brief excerpts from Mark Twain, Joan Didion, H.L. Mencken, E.B. White, and Annie Dillard--this stimulating volume covers the entire subject step-by-step, clearly and authoritatively. It shows:
___*How to use commonplace books and journals to store
____ideas, how to brainstorm, how to explore a potential
___*How to use a statement of purpose or an outline to
____give preliminary shape to your material, how to use
____drafts and revisions (and more revisions) to refine
___*How to open an essay clearly and interestingly, how to
____lead the reader subtly, how to use qualifications to
____express complexity without sacrificing impact
___*How to organize ideas into a coherent paragraph, how
____to vary sentence structure and length for variety and
___*How to select words that convey both information and
____point of view
___*And much, much more
In addition, it contains a useful appendix on punctuation, ranging from commas and periods to underlining and capitalization.
Whether you write for business or for pleasure, whether you are a beginner or an experienced pro, The New Oxford Guide to Writing is an essential addition to your reference library, providing abundant assistance and encouragement to write with more clarity, more color, and more force.
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As a brief sample , here is a draft of the beginning of the composition we ' ve
been discussing for the last several chapters — how young people in the 1980s
feel about sex , love , and marriage . I have some friends in their late twenties .
But they are cool about it , and about the possibility of marriage . " Well , " Dee
says , " I have my career and Jack has his . It ' s good that we ' re together , but
who knows where we ' ll be in two years ? Or how we ' ll feel ? " I find their
Today , we feel freer to mix formal words and colloquial ones . The result , if
controlled by word sense and taste , is a clear gain in precision and variety (
italics added in both cases ) : Joan ' s voices and visions have played tricks with
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Kane, who also wrote the earlier Oxford Guide to Writing (1983), leads the student in some detail through such fundamentals as planning the writing project, grammar, style, and things to avoidall with ... Прочетете пълната рецензия
Grammar Usage and Mechanics
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