Essay on the Writings and Genius of Shakespear, Compared with the Greek and French Dramatic Poets: With Some Remarks Upon the Misrepresentations of Mons. VoltaireJ. Dodsley, 1769 - 288 страници |
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... FRENCH DRAMATIC POETS . WITH SOME REMARKS Upon the MISREPRESENTATIONS of Monf . de VOLTAIRE . by sons Montague who died LONDON : Printed for J. DODSLEY , Pall - mall ; Meff . BAKER and LEIGH , York - ftreet , Covent - garden ; J. WALTER ...
... FRENCH DRAMATIC POETS . WITH SOME REMARKS Upon the MISREPRESENTATIONS of Monf . de VOLTAIRE . by sons Montague who died LONDON : Printed for J. DODSLEY , Pall - mall ; Meff . BAKER and LEIGH , York - ftreet , Covent - garden ; J. WALTER ...
Страница 3
... or the jargon caught from the tone of a court . To please upon the French stage , every person of every age and nation was made to adopt their manners . A 2 The The heroes of antiquity were not more disguised in the INTRODUCTION . 3.
... or the jargon caught from the tone of a court . To please upon the French stage , every person of every age and nation was made to adopt their manners . A 2 The The heroes of antiquity were not more disguised in the INTRODUCTION . 3.
Страница 5
... French romances in the last age , nor which from its tediousness , languor , and want of truth of character is lefs fit to be copied on the stage and what are most the parts of Corneille's boafted tragedies , but the romantic dialogue ...
... French romances in the last age , nor which from its tediousness , languor , and want of truth of character is lefs fit to be copied on the stage and what are most the parts of Corneille's boafted tragedies , but the romantic dialogue ...
Страница 6
... French plays are little more ) is no difficult matter ; for that is the easiest part of every art perhaps , but in poetry without difpute , in which the con- noiffeur can direct the artist . I do not believe the critic imagined that a ...
... French plays are little more ) is no difficult matter ; for that is the easiest part of every art perhaps , but in poetry without difpute , in which the con- noiffeur can direct the artist . I do not believe the critic imagined that a ...
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