rare. nothing, - tend to give the student a certain dazzling affectation of literary culture at the expense of an amount of brain-work, that, properly utilized, would put him in possession of well-defined ideas of excellence of style, and enable him to form an intelligent and just estimate of an author's merit for himself, - a substantial attainment as valuable as it is In the other great departments of learning, the student is not required at first to learn the history of them, or of their patrons and successful promoters: on the contrary, his intellectual forces are at once employed in learning the general results already obtained in them, and the best methods of modern analysis and investigation. In chemistry, we do not begin with alchemy and the alchemists; in astronomy, we do not begin with astrology and the absurd pretensions and aims of astrologers; neither do we stop at every short poem in mathematics, or grand epic in celestial mechanics, to learn the biography of the author, his relations to society and to science. In a similar manner, and mindful of the great influence of American thought and institutions upon the language, we believe it advisable to introduce the pupil to our most distinguished modern authors first, and, while putting him in possession of the power and spirit of the literature of to-day, lead him back to the classical perio:), exciting his curiosity by the way to pursue its earlier history at his leisure. A few authors carefully studied would undoubtedly produce the most valuable results; but, since tastes differ as to which ones should be so studied, it is thought a greater number, of unquestioned merit, ought to find a place in a text-book designed for drill in acquiring the best style of which the student is capable. The success of the plan, the selections and arrangement, is left to the judgment of my fellow-teachers, whose suggestions as to modlifications in either will be gratefully acknowledged in any future edition. The want of a proper text-book to carry out the plan above indicated of teaching English literature is the only excuse for making this. Notes and criticisms are in the main omitted, since these selections are to be stulied critically, the pupil using the dictionary and encyclopædias with an industry equal to that given to the study of Greek and Latin. Our thanks are due to Messrs. Fields, Osgood, & Co., for special permission to select from their copyright editions of the works of Longfellow, Whittier, Lowell, Holmes, Emerson, IIawthorne, and Bryant's translation of Ilomer's Iliad; also to Messrs. Harper & Bros., D. Appleton & Co., George P. Putnam & Son, for extracts from Motley, Bryant, and Irving, whose works they publish. THE COMPILER. EMINENT ENGLISH NOVELISTS, 225 THOMAS BABINGTON MACAU- LAY: The Charge of the Light Brigade.. 235 Despondency Corrected ... ...... 243 ESSAYISTS AND CRITICS........ 345 Thoughts on revisiting the Wye ... 250 WRITERS ON SCIENCE........... 346 Modern Gallantry. 374 ESSAYISTS AND CRITICS........ 378 GEORGE GORDON, LORD BYRON: Address before the New-York Ag. Darkness. 333 POETS AND DRAMATISTS......... 413 DANIEL DEFOE: Terror a Source of the Sublime. ... 417 Sympathy a Source of the Sublime, 418 JOSEPII ADDISON: Uncertainty a source of the Sub. Bickerstaff learning Fencing..... The Common Effect of Poetry, not by raising Ideas of Things... 419 Dissection of a Coquette's Ileart... 511 General Words before Ideas,...... 421 ...... 520 Encomium on Lord Chatham... 426 From his Letter to the King. 428 Letter to Lord Chesterfield........ 431 Extract from Preface to the Dic SAMUEL BUTLER: Description of Iludibras........... 513 The Right Improvement of Time .. 437 DISTINGUISIIED WRITERS. ...... 547 ...... 438 |