The Plays of William Shakespeare: In Twenty-one Volumes, with the Corrections and Illustrations of Various Commentators, to which are Added Notes, Том 4J. Nichols and Son, 1813 |
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Страница 33
... kind , who dealt with them by way of command . Thus Prospero repents of his art in the last scene . The spirits were always considered as in some measure enslaved to the enchanter , at least for a time , and as serving with ...
... kind , who dealt with them by way of command . Thus Prospero repents of his art in the last scene . The spirits were always considered as in some measure enslaved to the enchanter , at least for a time , and as serving with ...
Страница 36
... kind answer . MIRA . I do not love to look on . PRO . ' Tis a villain , sir , But , as ' tis , play to the latter of these lines , by the carelessness of the transcriber or printer , the editor of the second folio , to supply the metre ...
... kind answer . MIRA . I do not love to look on . PRO . ' Tis a villain , sir , But , as ' tis , play to the latter of these lines , by the carelessness of the transcriber or printer , the editor of the second folio , to supply the metre ...
Страница 39
... kind : " His spirits hear me , " And yet I needs must curse ; but they'll nor pinch , " Fright me with urchin - shews , pitch me i ' the mire , " & c . MALONE . In support of Mr. Steevens's note , which does not appear satis- factory to ...
... kind : " His spirits hear me , " And yet I needs must curse ; but they'll nor pinch , " Fright me with urchin - shews , pitch me i ' the mire , " & c . MALONE . In support of Mr. Steevens's note , which does not appear satis- factory to ...
Страница 40
... kind , is here used as a dissyllable . MALONE . Why should we encourage a supposition which no instance whatever countenances ? viz . that charms was used as a dissyllable . The verse is complete without such an effort to prolong it ...
... kind , is here used as a dissyllable . MALONE . Why should we encourage a supposition which no instance whatever countenances ? viz . that charms was used as a dissyllable . The verse is complete without such an effort to prolong it ...
Страница 42
... kind of tartness . BLACKSTONE . -the red plague rid you , ] I suppose from the redness of the body , universally inflamed . JOHNSON . The erysipelas was anciently called the red plague . STEEVENS . So again , in Coriolanus : " Now the ...
... kind of tartness . BLACKSTONE . -the red plague rid you , ] I suppose from the redness of the body , universally inflamed . JOHNSON . The erysipelas was anciently called the red plague . STEEVENS . So again , in Coriolanus : " Now the ...
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alludes ancient Antony and Cleopatra Ariel Ben Jonson Caliban called comedy Demetrius dost doth DUKE edit editor emendation Enter Exeunt Exit eyes fair Fairy Queen gentle Gentlemen of Verona give grace hath hear heart Helena Hermia JOHNSON Julia lady LAUN Launce lion lord lover Lysander madam MALONE MASON master means metre Milan MIRA mistress moon musick never night Oberon observes old copy reads Othello passage perhaps Philostrate play poet Prospero Proteus PUCK Pyramus quarto QUIN Richard III RITSON scene second folio sense Shakspeare Shakspeare's shew signifies Silvia sleep song speak SPEED Spenser spirit STEEVENS Stephano strange supposed sweet tell Tempest thee Theobald Theseus thing Thisbe thou art thou hast Thurio Titania translation TRIN Trinculo unto Valentine Warburton Winter's Tale word