Die musik; illustrierte halbmonatsschrift; hrsg. von Bernhard Schuster; Oct. 1901-date. 1. jahrgang-date. 1901date

..qr780.5 M9885

Signale für die musikalische welt; [weekly], 1906-date. v.64–

date. 1906-date....

For earlier volumes see preceding catalogue.

London, Musical Association.

.1780.5 S57

Proceedings, Ist session-date, 1874/75-date. 1875-date...1780.6 P21 Volume for 1877-78 is also bound with other pamphlets and has call number 1780 P21q.

Michigan University.

Annual May [musical] festival (11th), 1904. 1904.. Music Teachers' National Association.

1780.6 M66

Annual meeting (8th, 11th, 28th-date), July 1884, 1887, 1906– date. 1884-date..

.г780.6 M98

v.28 contains "Studies in musical education, history and aesthetics."

Musical education

Lavignac, Albert.

Musical education.

1903...

780.7 L38

Practical advice as to the best methods of pursuing a musical educa-
tion under its most healthful conditions. Author is professor of
harmony at the Paris Conservatoire and his advice is the fruit of 40
years' teaching experience.

Mathews, William Smith Babcock, ed.

The great in music; a sy tematic course of study in the music of classical and modern composers. 2v. 1900

02....

..780.7 M47

Prepared for the student-clubs of the Music extension course.
Contains biographical sketches, anecdotes, appreciations, characteriza-
tions, together with illustrative programs annotated by well-known
writers and musicians.

Schumann, Robert.

Rules for young musicians....

Ten pages of short, practical precepts.

.780.7 $39

History of music

Baltzell, Winton James, and others.

Complete history of music; for schools, clubs and private

reading. 1905..

...780.9 B21

Contributions by H. A. Clarke, Arthur Elson, C. G. Hamilton, E. B. Hill,
A. L. Judson, F. S. Law and P. W. Orem.

Short list of references at the end of many of the chapters.
"The most useful and up-to-date history of music in any language...
Being intended chiefly for classes, or musical clubs, the chapters
are followed by questions and suggestions as well as by bibliographic
references." Nation, 1906.

Crowest, Frederick James.

(Library of useful

..780.9 C89s

Story of the art of music. 1902.
stories.)
Contents: Introductory.-Notation, sol-fa, mensural, British and Saxon
music.-Early harmony, folk songs, troubadours and first counter-
point. Fourteenth century music, rise of opera and oratorio, the
organ, early schools of music.-The madrigal, Roman and Protestant
church music, opera and the overture. Passion music, Bach and
Handel, perfected oratorio. - Symphony, Haydn, Mozart and Bee-

thoven, romantic art in opera and symphony.-Growth of form and
orchestration. - Possible English school. Opera, Gluck to Verdi.-
Modern German and Russian music.
Author maintains that Schumann, who died in 1856, is the last great
master of music, Wagner, Raff, Dvorák, Rubinstein, Liszt and Tschai-
kowsky having "nothing genuinely new in them.' Grieg, Bizet, Saint-
Saëns, Goldmark, Humperdinck, Paderewski, etc. are not even men-
tioned. In many ways, the book disregards universally accepted opin-
ions, and occasionally, facts.

Czerny, Karl, comp.

Umriss der ganzen musik-geschichte, dargestellt in einem verzeichniss der bedeutenderen tonkünstler, bis 1800. 1851......

The same. 1851.

..1780.9 C99

.г782.3 W37

Study of the history of music; with an annotated guide
to music literature. 1905..
"Bibliographical fist," p.387-399.

..780.9 D55

Narrative and critical study, clear, condensed and accurate. Useful to
teachers, students and for general reference. Author is (1905) pro-
fessor of the history of music at Oberlin.

Syllabus of lectures on the history of music, with refer-
ences for private study; given in the Oberlin conserva-
tory of music. [1897-98.]....
Supplementary references are added bringing bibliography to 1902.
Elson, Arthur.

.г780.9 D55

Woman's work in music; an account of her influence on the art, in ancient as well as modern times, a summary of her musical compositions in the different countries of the civilized world and an estimate of their rank in comparison with those of men. 1904. (Music lovers' series.)

....780.9 E556

Contents: Ancient and mythical.-Medieval.-Wives of the composers.
-Clara and Robert Schumann.-Other musical romances.-England.
-Germany.-France.-America.-Other countries.-Conclusion.

Klein, Hermann.

Thirty years of musical life in London, 1870-1900. 1903...780.9 K31 Sketches, anecdotes and portraits of musicians who have contributed to the musical life of London during the last generation.

Matthew, James Ebenezer.

Popular history of music, musical instruments, ballet and opera from St. Ambrose to Mozart. 1888...

780.9 M47P

Oxford history of music; ed. by W. H. Hadow. v.2, 6. 1905..1780.9 035 V.2. Wooldridge, H. E. The polyphonic period; method of musical art,

1300-1600.

v.6. Dannreuther, Edward. The romantic period.

For v.1, 3-5 see preceding catalogue.

Traces the general evolution of the art itself, with less regard to in-
dividual artists.

Palmer, Walter Harvey, comp.

Two thousand questions, with answers, on musical history,
biography, form, instrumentation and kindred subjects.
1900

Worshipful Company of Musicians, London.
English music (1604 to 1904); being the lectures given at
the Music loan exhibition of the Worshipful Company
of Musicians held at Fishmongers' hall, London bridge,

1780.9 P19

June-July 1904. 1906. (Music story series.). . . . . . . 780.942 W91
Contents: The evolution of the pianoforte, by T. L. Southgate.—Our
English songs, by W. H. Cummings.-The early English viols and
their music, by Henry Watson.-Madrigals, rounds, catches, glees and
part-songs, by E. M. Lee.-The recorder, flute, fife and piccolo, by
J. Finn. Music in England in the year 1604, by Sir Frederick Bridge.
-Our dances of bygone days, by A. S. Rose.-Masques and early
operas, by A. H. D. Prendergast.-English opera after Purcell, by
F. J. Sawyer.—Our cathedral composers and their works, by G. F.
Huntley. The single and double reed instruments, by D. J. Blaikley.
-The water-organ of the ancients and the organ of to-day, by F. W.
Galpin. The regal and its successors; the harmonica, by T. L. South-
gate. The violin family and its music, by W. W. Cobbett.-The brass
wind instruments, by J. E. Borland. Some notes on early printed
music, by A. H. Littleton.-Music of the country-side, by Sir Ernest
Clarke.

The same..

Hervey, Arthur.

1780.942 W91

French music in the XIXth century. 1903. (Music in the

XIXth century series.)......

..780.944 H48
Contents: Méhul and the last of the classics.-The advent of Rossini.-
Meyerbeer and the Grand Opéra.-Auber and the Opéra Comique.—
Berlioz and the romantic movement.-Gounod and his influence.-
Wagner in France.-Offenbach and the opéra bouffe.-Bizet and the
renaissance.—Saint-Saëns and some of his contemporaries.—Massenet
and the modern French opera.-César Franck and his followers.—Al-
fred Bruneau and the modern lyrical drama.-Fin de siècle.

Wardwell, Mrs Linda Bell (Free), & Holt, Mrs E. E. (McKinnon).
Catechism on Russian music, [with answers]. 1905...1780.947 W22
Recommended by the National Federation of Musical Clubs.
Outline study of Russian music.

Elson, Louis Charles.

History of American music. 1904..

.9780.973 E55h

Contents: The religious beginnings of American music.-Early musical
organizations.—Instrumental music and American orchestras.-Musi-
cal societies and institutions.-Opera in America.-The folk-music of
America.-National and patriotic music.-American tone-masters.-The
orchestral composers of America.-Other orchestral composers of
America.-Operatic, cantata and vocal composers.-American song-
composers.-Organists, choir and chorus leaders.-The American
composers for pianoforte.-American women in music.-Musical criti-
cism and authorship.—The musical education of the present.—Qualities
and defects of American music.
"General bibliography," p.367-368.

Goldstein, Max.

Der stand der öffentlichen musikpflege in den Vereinigten
Staaten.

Bound with other pamphlets.

Sonneck, Oscar George Theodore.

Francis Hopkinson, the first American poet-composer, 1737–1791, and James Lyon, patriot, preacher, psalmodist, 1735-1794; two studies in early American music. 1905...

1780 P21c

..qr780.973 S69

Aristoxenus.

781

Theory of music

Armonikon ta sozomena; die harmonischen fragmente, griechisch und deutsch mit kritischem und exegetischem commentar und einem anhang die rhythmischen fragmente des Aristoxenus enthaltend; hrsg. von Paul Mar

quard. 1868...

..1781 A71

Aristoxenus (fl. 320 B. C.) was a Greek philosopher and writer on
music, the founder of a school of musicians.

Plutarch.

De musica [Greek and Latin text]; ed. by Ricardus Volkmann. 1856....

Bound with Aristoxenus, "Armonikon ta sozomena."

Haigh, Joseph P.

Progressive catechism of music; a text book for pupils who are beginning to study the art of playing any instrument, especially the pianoforte, also for the use of singing classes. 1904..

г781 A71

781.2 H14

Harmony. Counterpoint

Cutter, Benjamin.

Harmonic analysis; a course in the analysis of the chords and of the non-harmonic tones to be found in music, classic and modern. 1902.

.781.3 C95

Based upon the course given in the New England Conservatory of Music,
Boston.

Emery, Stephen A.

Elements of harmony. 1890..

.1781.3 E58

Course of study that will prepare the student to analyze harmonies that
occur in standard music, and also to harmonize melodies of a simple
character.

Foote, Arthur Williams, & Spalding, W. R.

Modern harmony in its theory and practice. 1905...

"A model of clearness and utility...The book is every way remarkably
up to date." Nation, 1905.

Goetschius, Percy.

Counterpoint applied in the invention, fugue, canon and other polyphonic forms; an exhaustive treatise on the structural and formal details of the polyphonic or contrapuntal forms of music, for the use of general and special students of music. 1902..

.781.4 G55

Williams, Charles Francis Abdy.

Story of notation. 1903. (Music story series.)..

"Authorities referred to," p.223-237.

.781.9 W74

"Mr. Williams takes up, one by one, the various systems which, from
the fifth century B. C., if not earlier, have contributed something to
our present notation. The details were...inaccessible, most of them,
to English readers; and he has been remarkably successful in ex-
plaining them, in spite of the appalling intricacy of some of the
number." Nation, 1903.

782 Opera

Guerber, Hélène Marie Adeline.

.782 G95s

Stories of popular operas. 1904.
Contents: William Tell, by Rossini.-L'Africaine, by Meyerbeer.-Der
freischütz, by Weber.-The magic flute, by Mozart.-Rigoletto, by
Verdi.-Othello, by Verdi.-Fra Diavolo, by Auber.-L'elisire d'amore,
by Donizetti.-Romeo and Juliet, by Gounod.-I Pagliacci, by Leon-
cavallo.-La Tosca, by Puccini.-Le prophète, by Meyerbeer.
Gives the plots in such detail that the action can be closely followed.

Upton, George Putnam.

Standard light operas, their plots and their music. 1902...782 U26s Contents: ADAM's The postilion of Lonjumeau.-AUBER'S Fra Diavolo;

The crown diamonds.-AUDRAN'S Olivette; The mascot.-BALFE'S The Bohemian girl; The rose of Castile. - BELLINI'S La sonnambula. BENEDICT'S The lily of Killarney.-BOIELDIEU's La dame Blanche.CELLIER'S Dorothy.-CHASSAIQUE'S Falka.-DEKOVEN'S Robin Hood; Maid Marian; Rob Roy; The fencing-master. DELIBES'S Lakmè. DONIZETTI'S The daughter of the regiment; Don Pasquale; Linda; The elixir of love.-EICHBERG'S The doctor of Alcantara.-FLOTOW's Martha; Stradella.-GENÉE'S Nanon.-GOUNOD'S Mirella.-HUMPERDINCK'S Hansel and Gretel.-JAKOBOWSKI'S Erminie.-LECoco's Girofle-Girofla; La fille de Madame Angot.-LÖRTZING'S Czar and carpenter.-LUDERS'S King Dodo; The prince of Pilsen.-MASSE'S Paul and Virginia; Queen Topaze; The marriage of Jeannette. - MILLÖCKER'S The beggar student; The black hussar.-NESSLER'S The trumpeter of Säkkingen.NICOLAI'S The merry wives of Windsor. OFFENBACH's The grand duchess of Gerolstein; La belle Hélène; Orpheus.-PLANQUETTE'S The chimes of Normandy. RICCI's Crispino. · ROSSINI'S The barber of Seville. SOLOMON'S Billee Taylor.- SOUSA's El capitan.- STRAUSS's The merry war; The queen's lace handkerchief; Queen Indigo; Die fledermaus. STUART'S Florodora.- SULLIVAN'S Cox and Box; Trial by jury; The sorcerer; H. M. S. Pinafore; The pirates of Penzance; Patience; Iolanthe; Princess Ida; The Mikado; Ruddygore; The yeomen of the guard; The gondoliers.-SUPPÉ's Fatinitza; Boccaccio; The beautiful Galatea.-THOMAS'S Mignon.-WALLACE'S Maritana; Lurline. The same.

1902

.1782 U26s

Standard operas; their plots, their music and their com

Contents: The Rhine-gold.-Die Walküre; or, The story of Brunhilde.-
Siegfried. Die Götterdämmerung.-Parsifal.

Kobbé, Gustav.

Wagner's music-dramas analyzed, with the leading motives. 1904..

The same...

.782.2 K35w .92 W134k v.2

Contents: The Rhinegold.-The Valkyr.-Siegfried.-The dusk of the
gods. Tristan and Isolde.-The mastersingers of Nuremburgh.—
Parsifal.

"New edition of a treatise most useful to those who wish to study the
anatomy and physiology, as well as the inner spirit, of the music-
dramas. An excellent new feature is the alphabetical index to the
leading motives." Nation, 1904.

Wagner, Richard.

Flying Dutchman

Flying Dutchman (Der fliegende Holländer); a romantic