One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L'Engle and Orson Scott CardMcFarland, Incorporated, Publishers, 4.02.2008 г. - 263 страници This work presents the genre of mythopoeic fantasy from a holistic perspective, arguing that this central genre of fantasy literature is largely misunderstood as a result of decades of incomplete and reductionist literary studies. The author asserts that mythopoeic fantasy is not only the most complete literary expression of a worldview based on the existence of supernatural or spiritual powers but that the genre is in a unique position to transform social consciousness with a renewed emphasis on anticipating the future. The author lays out theoretical foundations for his argument in the first four chapters and then demonstrates how the works of fantasy authors Ursula K. LeGuin, Lloyd Alexander, Madeleine L'Engle, and Orson Scott Card exemplify his argument in the remaining four chapters. |
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Страница 210
... object which humans can use but a multi - voiced subject which they can learn from and build a dialogic relationship with . This is evident most clearly in the setting of the Alvin Maker books . 210 ONE EARTH , ONE PEOPLE.
... object which humans can use but a multi - voiced subject which they can learn from and build a dialogic relationship with . This is evident most clearly in the setting of the Alvin Maker books . 210 ONE EARTH , ONE PEOPLE.
Страница 217
... objects , or perhaps they find it there " ( 122-23 ) . Thus Arthur Stuart's mother is able to make a clay bird , then ... object or a spell by those who can establish an affinity with some aspect of the natural world . Making , perhaps ...
... objects , or perhaps they find it there " ( 122-23 ) . Thus Arthur Stuart's mother is able to make a clay bird , then ... object or a spell by those who can establish an affinity with some aspect of the natural world . Making , perhaps ...
Страница 221
... objects to be used for human ends , it becomes clear that the Makers ' side cannot accom- modate anyone who would be disrespectful of any form of life . Arthur Stu- art , who talks to and understands animals , who makes Jean - Jacques ...
... objects to be used for human ends , it becomes clear that the Makers ' side cannot accom- modate anyone who would be disrespectful of any form of life . Arthur Stu- art , who talks to and understands animals , who makes Jean - Jacques ...
Съдържание
Acknowledgments | 1 |
Theoretical Era | 13 |
Reductionist and Holistic Criticisms in a Battle of Worldviews | 39 |
Авторско право | |
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Често срещани думи и фрази
Alexander's American approach archetypal argued asserts Attebery Attebery's believe C.S. Lewis called Card's Celtic century chapter Children's Literature Christian Chronicles Chronicles of Prydain claims concept consciousness contemporary creative cultural dragons dream Earthsea sequence Egoff Essays ethical fantasy example experience explored fairy fantasists fantasy criticism Fantasy Literature genre Guin Guin's High Fantasy holistic critics human idea imaginative Jung Jung's L'Engle's land Lewis Lewis's literary live Lloyd Alexander Madeleine L'Engle magic means mode modern moral Mormon mythic mythology mythopoeia mythopoeic fantasy mythopoesis narrative novels Orson Scott Card past perspective philosophy poetic knowledge present protagonists Prydain psychological Quartet quest readers reality reductionist reflects religion religious says Science Fiction sense specific spiritual story structure suggest supernatural Taoist Taran tasy Tehanu Tenar theme theory things tion Tolkien tradition transcendence trilogy truth unconscious understanding Ursula Ursula K Ursula Le Guin vision Welsh myth Wind worldview Wrinkle writers York