An Introduction to LiteratureThis collection is designed to introduce college students to literature. Each volume focuses on a specific area, wherein the characteristics, conventions, and special effects of each kind of writing are set out, the critical terms are introduced, and each editor brings their viewpoint to the task. The editors of this book see literature as an unending source of delight, and propose analysis to the student not as an end in itself, but as a means of widening the range of comprehension, the deepening of enjoyment for literature as more fully comprehended. Each book features introductions that explore the type of literature addressed, brief author biographies, and a series of questions designed to allow students to exercise their critical and analytical faculties. |
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Страница 922
despite the general iambic nature of the language , are stressed on the first
syllable ( wait - ing , ap - ple , sin - gle ) . Note that when such words are
preceded by an article or by a monosyllabic preposition , a light - heavy or iambic
sequence ...
despite the general iambic nature of the language , are stressed on the first
syllable ( wait - ing , ap - ple , sin - gle ) . Note that when such words are
preceded by an article or by a monosyllabic preposition , a light - heavy or iambic
sequence ...
Страница 932
Conventional metrics , however , does not generally admit a notation that
distinguishes the relative emphases of stressed syllables , relying on a single
vertical mark ( ictus ) to indicate stress . It will be well , however , by analogy to
the carets of ...
Conventional metrics , however , does not generally admit a notation that
distinguishes the relative emphases of stressed syllables , relying on a single
vertical mark ( ictus ) to indicate stress . It will be well , however , by analogy to
the carets of ...
Страница 944
Obviously , such rhymes are intended to function as syllabic . English convention
also has a certain tolerance , though bad poets are forever abusing that tolerance
, for false rhyme . True rhyme pairs stressed syllable with stressed syllable .
Obviously , such rhymes are intended to function as syllabic . English convention
also has a certain tolerance , though bad poets are forever abusing that tolerance
, for false rhyme . True rhyme pairs stressed syllable with stressed syllable .
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Съдържание
INTRODUCTORY NOTE | 663 |
CHAPTER TWO A BURBLE | 678 |
FOLK BALLADS | 685 |
Авторско право | |
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ballad beauty become begins bird breath called certainly clear close comes dark dead death diction discussion dream effect English example eyes face fact fair fall fear feel final flowers foot force Frost hand head hear heard heart heaven images John kind language leave light live look meaning metaphor metrics mind moon motion move nature never night Note once passage passed pause permission phrase play poem poet poetic poetry possible present QUESTIONS reader reason rest rhyme rose round seems sense ship simply sing single sleep sort soul sound speak stand stanza statement stressed suggestion sweet syllables symbol taken tell tends thee thing thou thought tone true turn voice wind writing young