An Introduction to LiteratureThis collection is designed to introduce college students to literature. Each volume focuses on a specific area, wherein the characteristics, conventions, and special effects of each kind of writing are set out, the critical terms are introduced, and each editor brings their viewpoint to the task. The editors of this book see literature as an unending source of delight, and propose analysis to the student not as an end in itself, but as a means of widening the range of comprehension, the deepening of enjoyment for literature as more fully comprehended. Each book features introductions that explore the type of literature addressed, brief author biographies, and a series of questions designed to allow students to exercise their critical and analytical faculties. |
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Страница 786
that passages of poetry ( one must , of course , assume a passage of sufficient
length to be representative ) that have generally been agreed upon as good
English poetry by critics of various ages of taste , always seem to hit toward this
ratio .
that passages of poetry ( one must , of course , assume a passage of sufficient
length to be representative ) that have generally been agreed upon as good
English poetry by critics of various ages of taste , always seem to hit toward this
ratio .
Страница 924
In one famous passage Pope discusses a number of poetic faults and graces ,
illustrating each by the line in which he mentions it . He points out , for example ,
that if all the vowels in a given passage are open , the effect is laborious ( hence
a ...
In one famous passage Pope discusses a number of poetic faults and graces ,
illustrating each by the line in which he mentions it . He points out , for example ,
that if all the vowels in a given passage are open , the effect is laborious ( hence
a ...
Страница 928
One may interpret this passage also in slightly different ways , and argue for the
removal of the caesuras after “ old age ” in line three , after “ but ” in line five , and
after " stead ” at the end of line five ; but even so interpreted , the passage clearly
...
One may interpret this passage also in slightly different ways , and argue for the
removal of the caesuras after “ old age ” in line three , after “ but ” in line five , and
after " stead ” at the end of line five ; but even so interpreted , the passage clearly
...
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Съдържание
INTRODUCTORY NOTE | 663 |
CHAPTER TWO A BURBLE | 678 |
FOLK BALLADS | 685 |
Авторско право | |
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Често срещани думи и фрази
ballad beauty become begins bird breath called certainly clear close comes dark dead death diction discussion dream effect English example eyes face fact fair fall fear feel final flowers foot force Frost hand head hear heard heart heaven images John kind language leave light live look meaning metaphor metrics mind moon motion move nature never night Note once passage passed pause permission phrase play poem poet poetic poetry possible present QUESTIONS reader reason rest rhyme rose round seems sense ship simply sing single sleep sort soul sound speak stand stanza statement stressed suggestion sweet syllables symbol taken tell tends thee thing thou thought tone true turn voice wind writing young
Библиография
| Заглавие | An Introduction to Literature An Introduction to Literature, Herbert Barrows An Introduction to Literature: In Four Parts, Gordon Norton Ray |
| Редактори | Herbert Barrows, Gordon Norton Ray |
| Издател | Houghton Mifflin, 1959 |
| Оригиналът е от | Мичиганският университет |
| Цифровизирана на | 9 февр. 2007 |
| Брой страници | 1331 страници |
| Експортиране на описанието | BiBTeX EndNote RefMan |