An Introduction to LiteratureThis collection is designed to introduce college students to literature. Each volume focuses on a specific area, wherein the characteristics, conventions, and special effects of each kind of writing are set out, the critical terms are introduced, and each editor brings their viewpoint to the task. The editors of this book see literature as an unending source of delight, and propose analysis to the student not as an end in itself, but as a means of widening the range of comprehension, the deepening of enjoyment for literature as more fully comprehended. Each book features introductions that explore the type of literature addressed, brief author biographies, and a series of questions designed to allow students to exercise their critical and analytical faculties. |
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Страница 790
Poetry generally strives for more specific effect than this , but Milton's principle of
selection remains firm . The " big " sound of the line is obviously part of what
Milton intended . One cannot , moreover , be specific in dealing with the Primal ...
Poetry generally strives for more specific effect than this , but Milton's principle of
selection remains firm . The " big " sound of the line is obviously part of what
Milton intended . One cannot , moreover , be specific in dealing with the Primal ...
Страница 937
( 2 ) visual patterns : the isolation of words as single lines , the separation of
words from one another by unusual spacings in the line , the breaking off of lines
for special effect . ( 3 ) punctuation : in one sense punctuation is a special case of
...
( 2 ) visual patterns : the isolation of words as single lines , the separation of
words from one another by unusual spacings in the line , the breaking off of lines
for special effect . ( 3 ) punctuation : in one sense punctuation is a special case of
...
Страница 994
Since a good poem does not move throughout at exactly the same pace ( unless
the poet is trying for a special effect , and doubtfully then ) , the poem must also
have change of pace ; one part moves more rapidly or more slowly than another .
Since a good poem does not move throughout at exactly the same pace ( unless
the poet is trying for a special effect , and doubtfully then ) , the poem must also
have change of pace ; one part moves more rapidly or more slowly than another .
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Съдържание
INTRODUCTORY NOTE | 663 |
CHAPTER TWO A BURBLE | 678 |
FOLK BALLADS | 685 |
Авторско право | |
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ballad beauty become begins bird breath called certainly clear close comes dark dead death diction discussion dream effect English example eyes face fact fair fall fear feel final flowers foot force Frost hand head hear heard heart heaven images John kind language leave light live look meaning metaphor metrics mind moon motion move nature never night Note once passage passed pause permission phrase play poem poet poetic poetry possible present QUESTIONS reader reason rest rhyme rose round seems sense ship simply sing single sleep sort soul sound speak stand stanza statement stressed suggestion sweet syllables symbol taken tell tends thee thing thou thought tone true turn voice wind writing young