The Technic of the Speaking Voice: Its Development, Training, and Artistic Use, Based Upon Rush's Philosophy of the Human Voice, and the Teaching and Example of James E. Murdoch; and Including a New Presentation of Expressive Speech-melody, Copiously Illustrated by Examples; Many Studies in Interpretation; and a Brief Outline of Gestureauthor, 1915 - 660 страници |
Между кориците на книгата
Резултати 1 - 5 от 100.
Страница 54
... slide of the second ; that is , with the very slight direct rise of simple con- tinuation , with no emphasis . Group in fours , in eights , in sixteens ; letting the voice ' fall ' at the end of each group , as at a full stop , but ...
... slide of the second ; that is , with the very slight direct rise of simple con- tinuation , with no emphasis . Group in fours , in eights , in sixteens ; letting the voice ' fall ' at the end of each group , as at a full stop , but ...
Страница 55
... slides become em- phatic . The Third . Practice the slide of the third , rising and falling , on the tonics . The radical ( vowel opening ) should be clear and sharp , but light and elastic . If you are ignorant of music , and have not ...
... slides become em- phatic . The Third . Practice the slide of the third , rising and falling , on the tonics . The radical ( vowel opening ) should be clear and sharp , but light and elastic . If you are ignorant of music , and have not ...
Страница 56
... slide , men- tally isolate each sound , and make it the last ; let the ear ex- pect and watch for the vocal sign of completeness , of finality ; which is an undeviating downward intonation . To secure the ' hook ' effect , name each ...
... slide , men- tally isolate each sound , and make it the last ; let the ear ex- pect and watch for the vocal sign of completeness , of finality ; which is an undeviating downward intonation . To secure the ' hook ' effect , name each ...
Страница 57
... slide will traverse the musi- cal interval of the fifth . Make the downward slide obstinate , startling , or sharply and strongly imperative , and the fifth replaces the third of simple affirmation . Practice the fall- ing fifth both ...
... slide will traverse the musi- cal interval of the fifth . Make the downward slide obstinate , startling , or sharply and strongly imperative , and the fifth replaces the third of simple affirmation . Practice the fall- ing fifth both ...
Страница 58
... slide a little below the break . Restrict your slide to this lim- it , until the movement becomes flexible and easy . After a few days , try to extend the limit to a point a little higher . If the break still occurs , at the old pitch ...
... slide a little below the break . Restrict your slide to this lim- it , until the movement becomes flexible and easy . After a few days , try to extend the limit to a point a little higher . If the break still occurs , at the old pitch ...
Съдържание
100 | |
125 | |
128 | |
135 | |
144 | |
152 | |
166 | |
169 | |
178 | |
200 | |
232 | |
264 | |
396 | |
433 | |
471 | |
485 | |
502 | |
516 | |
522 | |
530 | |
591 | |
645 | |
653 | |
Други издания - Преглед на всички
Често срещани думи и фрази
abrupt accented syllable articulate aspirated Back Vowels beginning breath cadence Cæsar clause Climax Sweep close contour diatonic effusive emotional emphasis emphatic words enclitic equable concrete example explosive expressive expulsive eyes falling slide falling sweep falling wave falling-wave Falsetto feeling Fezziwig fifth Final Stress front Front Vowels gesture give glottis Hamlet hand hard palate heard inflection interval intonation lips Lord loud means measure Median Stress melody Merchant of Venice minor third moderate monotone mouth movement nasal natural notation octave opening Orotund pause pharynx phatic phrase place of constriction practice preceding quantity radical pitch Radical Stress reader referential resonance rhythm rising sweep rising wave semitone sentence Shylock smooth soft palate sound speaker speaking speech stanza stroke subtonic swell syllable thee third thou thought throat tion tone tongue tonic unaccented syllables unemphatic utterance vanish vocal vocule voice vowel wide
Популярни откъси
Страница 245 - I CHATTER over stony ways, In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles. With many a curve my banks I fret By many a field and fallow, And many a fairy foreland set With willow-weed and mallow.
Страница 250 - We know what master laid thy keel; What workmen wrought thy ribs of steel; Who made each mast and sail and rope; What anvils rang, what hammers beat; In what a forge and what a heat Were shaped the anchors of thy hope.
Страница 246 - How like a fawning publican he looks ! I hate him for he is a Christian • But more, for that, in low simplicity, He lends out money gratis, and brings down The rate of usance here with us in Venice.
Страница 154 - I have no pleasure in them : while the sun, or the light, or the moon, or the stars, be not darkened, nor the clouds return after the rain : in the day when the keepers of the house shall tremble, and the strong men shall bow themselves, and the grinders cease because they are few, and those that look out of the windows be darkened...
Страница 157 - Hear the sledges with the bells Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night! While the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight...
Страница 531 - gainst self-slaughter! O God! O God! How weary, stale, flat, and unprofitable Seem to me all the uses of this world! Fie on't! O fie! 'tis an unweeded garden, That grows to seed; things rank and gross in nature Possess it merely.
Страница 249 - Flag of the free heart's hope and home, By angel hands to valor given ! Thy stars have lit the welkin dome, And all thy hues were born in heaven. Forever float that standard sheet ! Where breathes the foe but falls before us, With Freedom's soil beneath our feet, And Freedom's banner streaming o'er us ? JOSEPH RODMAN DRAKE.
Страница 220 - And spit upon my Jewish gaberdine, And all for use of that which is mine own. Well then, it now appears you need my help : Go to, then ; you come to me, and you say, 'Shylock, we would have moneys...
Страница 426 - I conjure you, by that which you profess, (Howe'er you come to know it,) answer me : Though you untie the winds, and let them fight Against the churches ; though the yesty waves Confound and swallow navigation up; Though bladed corn be lodg'd, and trees blown down; Though castles topple on their warders...
Страница 398 - He scarce had ceased, when the superior fiend Was moving toward the shore ; his ponderous shield, Ethereal temper, massy, large, and round, Behind him cast ; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views At evening from the top of Fesole Or in Valdarno, to descry new lands, Rivers, or mountains, in her spotty globe.