The Art of Film Acting: A Guide for Actors and Directors
Taylor & Francis, 2002 - 290 страници
This guide for actors and directors develops a valid method for training performers to act from their core--whether they are cold reading, auditioning, or performing for film or television. This book teaches actors how to achieve and respond to believable and honest emotions before the camera, and it maintains that the key to a successful performance lies in how the actors relate to one another and to the circumstances. Exercises, including script examples, throughout the book give readers an easy resource for practicing the principles outlined.
The Art of Film Acting applies a classic stage acting method (Stanislavsky) to the more intimate medium of performing before a camera, teaching readers to experience an emotion rather than to indicate it.
*Applies a proven method to screen acting
*Includes exercises and practice material
*Helps actors train themselves to relate and respond
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Не намерихме рецензии на обичайните места.
1 The Exercise
2 Stage versus Film Acting
3 Becoming a Great Actor
4 Sight Reading
5 The Art of Concentration
6 The Art of Not Knowing
7 More on the Art of Not Knowing
8 Still More on the Art of Not Knowing
12 Intimacy Empathy and Intuition
13 The Audition
14 More on the Audition
15 The Comedy Audition
Други издания - Преглед на всички
accept action Actor Practice Adam anger angry audience audition become believable BRENA camera Carroll O'Connor casting director character character's CHIP choices circumstances close-up comedy comic concentrate creative crying Danny Debra dialogue DICAPRIO directions Dustin Hoffman Eddie Murphy emotional experience emotionally everything eyes fear feeling film acting film actor Fonda funny Giving and Receiving going happens Harry Henry Fonda Hoffman humor ideas impulses internal rap intimacy intuition Jack Nicholson Jeremiah John joke Kathy Bates kiss Larroquette laugh laughter listen logical look MACLAINE Malkovich Mary means Michael movie Nicholson Niro OZZIE partner performance physical punch line react rehearsal respond Robert De Niro Robin Williams role sadness SARANDON scene screen directions Screenwriter script shot sight reading situation smile someone stage play stimulate stop subconscious subtext talk tears tell theater thing tion touch W. C. Fields Watch workshop yelling