from pain. The doctrine neither resulted from, nor generated, a philosophical theory in Johnson's case, and was in the main a generalization of his own experience. Not the less, the aim of most of his writing is to express this sentiment in one form or other. He differs, indeed, from most modern sentimentalists, in having the most hearty contempt for useless whining. If he dwells upon human misery, it is because he feels that it is as futile to join with the optimist in ignoring, as with the pessimist in howling over the evil. We are in a sad world, full of pain, but we have to make the best of it. Stubborn patience and hard work are the sole remedies, or rather the sole means of temporary escape. Much of the Rambler is occupied with variations upon this theme, and expresses the kind of dogged resolution with which he would have us plod through this weary world. Take for example this passage :— The controversy about the reality of external evils is now at an end. That life has many miseries, and that those miseries are sometimes at least equal to all the powers of fortitude, is now universally confessed; and, therefore, it is useful to consider not only how we may escape them, but by what means those which either the accidents of affairs or the infirmities of nature must bring upon us may be mitigated and lightened, and how we may make those hours less wretched which the condition of our present existence will not allow to be very happy.

"The cure for the greatest part of human miseries is not radical, but palliative. Infelicity is involved in corporeal nature, and interwoven with our being; all attempts, therefore, to decline it wholly are useless and vain; the armies of pain send their arrows against us on every side, the choice is only between those which are more or less sharp, or tinged with poison of greater or less malignity; and the strongest armour which reason can supply will only blunt their points, but cannot repel them.

The great remedy which Heaven has put in our hands is patience, by which, though we cannot lessen the torments of the body, we can in a great measure preserve the peace of the mind, and shall suffer only the natural and genuine force of an evil, without heightening its acrimony or prolonging its effects."

It is hardly desirable for a moralist to aim at originality in his precepts. We must be content if he enforces old truths in such a manner as to convince us of the depth and sincerity of his feeling. Johnson, it must be confessed, rather abuses the moralist's privilege of being commonplace. He descants not unfrequently npon propositions so trite that even the most earnest enforcement can give them little interest. With all drawbacks, however, the moralizing is the best part of the Rambler. Many of the papers follow the precedent set by Addison in the Spectator, but without Addison's felicity. Like Addison, he indulges in allegory, which, in his hands, becomes unen

durably frigid and clumsy; he tries light social satire, and is fain to confess that we can spy a beard under the muffler of his feminine characters; he treats us to criticism which, like Addison's, goes upon exploded principles, but, unlike Addison's, is apt to be almost wilfully outrageous. His odd remarks upon Milton's versification are the worst example of this weakness. The result is what one might expect from the attempt of a writer without an ear to sit in judgment upon the greatest master of harmony in the language.

These defects have consigned the Rambler to the dustiest shelves of libraries, and account for the wonder expressed by such a critic as M. Taine at the English love of Johnson. Certainly if that love were nourished, as he seems to fancy, by assiduous study of the Rambler, it would be a curious phenomenon. And yet with all its faults, the reader who can plod through its pages will at least feel respect for the author. It is not unworthy of the man whose great lesson is "clear your mind of cant;"* who felt most deeply the misery of the world, but from the bottom of his heart despised querulous and sentimental complaints on one side, and optimist glasses upon the other. To him, as to some others of his temperament, the affectation of looking at the bright side of things seems to have presented itself as the bitterest of mockeries; and nothing would tempt him to let fine words pass themselves off for genuine sense. Here are some remarks upon the vanity in which some authors seek for consolation, which may illustrate this love of realities and conclude our quotations from the Rambler.

"By such acts of voluntary delusion does every man endeavour to conceal his own unimportance from himself. It is long before we are convinced of the small proportion which every individual bears to the collective body of mankind; or learn how few can be interested in the future of any single man; how little vacancy is left in the world for any new object of attention; to how small extent the brightest blaze of merit can be spread amidst the mists of business and of folly; and how soon it is clouded by the intervention of other novelties. Not only the writer of books, but the commander of armies, and the deliverer of nations, will easily outlive all noisy and popular reputation; he may be celebrated for a time by the public voice, but his actions and his name will soon be considered as remote and unaffecting, and be rarely mentioned but by those whose alliance gives them some vanity to gratify by frequent commemoration. It seems not to be sufficiently considered how little renown can be ad

* Of this well-known sentiment it may be said, as of some other familiar quotatations, that its direct meaning has been slightly modified in use. The emphasis is changed. Johnson's words were Clear your mind of cant, You may talk as other people do, you may say to a man, Sir, I am your humble servant; you are not his most humble servant. You may talk in this manner; it is a mode of talking

in society; but don't think foolishly."

mitted in the world. Mankind are kept perpetually busy by their fears or desires, and have not more leisure from their own affairs than to acquaint themselves with the accidents of the current day. Engaged in contriving some refuge from calamity, or in shortening their way to some new possession, they seldom suffer their thoughts to wander to the past or future; none but a few solitary students have leisure to inquire into the claims of ancient heroes or sages; and names which hoped to range over kingdoms and continents shrink at last into cloisters and colleges. Nor is it certain that even of these dark and narrow habitations, these last retreats of fame, the possession will be long kept. Of men devoted to literature very few extend their views beyond some particular science, and the greater part seldom inquire, even in their own profession, for any authors but those whom the present mode of study happens to force upon their notice; they desire not to fill their minds with unfashionable knowledge, but contentedly resign to oblivion those books which they now find censured or neglected.

The most remarkable of Johnson's utterances upon his favourite topic of the Vanity of Human Wishes is the story of Rasselas. The plan of the book is simple, and recalls certain parts of Voltaire's simultaneous but incomparably more brilliant attack upon Optimism in Candide. There is supposed to be a happy valley in Abyssinia where the royal princes are confined in total seclusion, but with ample supplies for every conceivable want. Rasselas, who has been thus educated, becomes curious as to the outside world, and at last makes his escape with his sister, her attendant, and the ancient sage and poet, Imlac. Under Imlac's guidance they survey life and manners in various stations; they make the acquaintance of philosophers, statesmen, men of the world, and recluses; they discuss the results of their experience pretty much in the style of the Rambler; they agree to pronounce the sentence "Vanity of Vanities!" and finally, in a conclusion, where nothing is concluded," they resolve to return to the happy valley. The book is little more than a set of essays upon life, with just story enough to hold it together. It is wanting in those brilliant flashes of epigram, which illustrate Voltaire's pages so as to blind some readers to its real force of sentiment, and yet it leaves a peculiar and powerful impression upon the reader.

The general tone may be collected from a few passages. Here is a fragment, the conclusion of which is perhaps the most familiar of quotations from Johnson's writings. Imlac in narrating his life describes his attempts to become a poet.

"The business of a poet," said Imlac, "is to examine not the individual, but the species; to remark general properties and large appearances; he does not number the streaks of the tulip, or describe the different shades in the verdure of the forest. He is to exhibit in his portraits of nature such prominent and striking features as recall

the original to every mind; and must neglect the minute discriminations which one may have remarked, and another have neglected for those characteristics which are alike obvious to vigilance and care. lessness."

"But the knowledge of nature is only half the task of a poet; he must be acquainted likewise with all the modes of life. His character requires that he estimate the happiness and misery of every condition; observe the power of all the passions in all their combinations, and know the changes of the human mind as they are modified by various institutions, and accidental influences of climate or custom, from the sprightliness of infancy to the despondency of decrepitude. He must divest himself of the prejudices of his age or country; he must consider right and wrong in their abstracted and invariable state; he must disregard present laws and opinions; and rise to general and transcendental truths, which will always be the same; he must therefore content himself with the slow progress of his name; contemn the applause of his own time, and commit his claims to the justice of posterity. He must write as the interpreter of nature and the legislator of mankind, and consider himself as presiding over the thoughts and manners of future generations, as a being superior to time and place.

"His labours are not yet at an end; he must know many languages and many sciences; and that his style may be worthy of his thoughts, must by incessant practice familiarize to himself every delicacy of speech and grace of harmony."

Imlac now felt the enthusiastic fit, and was proceeding to aggrandize his profession, when the prince cried out," Enough, thou hast convinced me that no human being can ever be a poet.'

Indeed, Johnson's conception of poetry is not the one which is now fashionable, and which would rather seem to imply that philosophical power and moral sensibility are so far disqualifications to the true poet.

Here, again, is a view of the superfine system of moral philosophy. A meeting of learned men is discussing the ever-recurring problem of happiness, and one of them speaks as follows:

"The way to be happy is to live according to nature, in obedience to that universal and unalterable law with which every heart is originally impressed; which is not written on it by precept, but engraven by destiny, not instilled by education, but infused at our nativity. He that lives according to nature will suffer nothing from the delusions of hope, or importunities of desire; he will receive and reject with equability of temper, and act or suffer as the reason of things shall alternately prescribe. Other men may amuse themselves with subtle definitions or intricate ratiocinations. Let him learn to be wise by easier means: let him observe the hind of the forest, and the linnet of the grove; let him consider the life of

the animals whose motions are regulated by instinct; they obey their guide and are happy.

Let us, therefore, at length cease to dispute, and learn to live; throw away the incumbrance of precepts, which they who utter them with so much pride and pomp do not understand, and carry with us this simple and intelligible maxim, that deviation from nature is deviation from happiness."

The prince modestly inquires what is the precise meaning of the advice just given.

"When I find young men so humble and so docile," said the philosopher, "I can deny them no information which my studies have enabled me to afford. To live according to nature is to act always with due regard to the fitness arising from the relations and qualities of causes and effects, to concur with the great unchangeable scheme of universal felicity; to co-operate with the general disposition and tendency of the present system of things.

"The prince soon found that this was one of the sages, whom he should understand less as he heard him longer."

Here, finally, is a characteristic reflection upon the right mode of meeting sorrow.

"The state of a mind oppressed with a sudden calamity," said Imlac, "is like that of the fabulous inhabitants of the new created earth, who, when the first night came upon them, supposed that day would never return. When the clouds of sorrow gather over us, we see nothing beyond them, nor can imagine how they will be dispelled; yet a new day succeeded to the night, and sorrow is never long without a dawn of ease. But they who restrain themselves from receiving comfort, do as the savages would have done, had they put out their eyes when it was dark. Our minds, like our bodies, are in continual flux; something is hourly lost, and something acquired. To lose much at once is inconvenient to either, but while the vital powers remain uninjured, nature will find the means of reparation.

"Distance has the same effect on the mind as on the eye, and while we glide along the stream of time, whatever we leave behind us is always lessening, and that which we approach increasing in magnitude. Do not suffer life to stagnate; it will grow muddy for want of motion; commit yourself again to the current of the world; Pekuah will vanish by degrees; you will meet in your way some other favourite, or learn to diffuse yourself in general conversation."

In one respect Rasselas is curiously contrasted with Candide. Voltaire's story is aimed at the doctrine of theological optimism, and, whether that doctrine be well or ill understood, has therefore an openly sceptical tendency. Johnson, to whom nothing could be more abhorrent than an alliance with any assailant of orthodoxy, draws no inference from his pessimism. He is content to state the fact of human misery without perplexing himself with the resulting problem