Art and SocietyInternational Publishers, 1947 - 288 страници |
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Страница 95
... move his audience as he wants them to be moved . In general , it can be said that the ease with which a composer solves these problems is in direct pro- portion to the living , communicative quality these structures con- tain , the ...
... move his audience as he wants them to be moved . In general , it can be said that the ease with which a composer solves these problems is in direct pro- portion to the living , communicative quality these structures con- tain , the ...
Страница 126
... move his fellow men , and many a sensitive mind has moved in his art from one set of problems to another , abandoning one tradition for a better or worse one . We must regard these movements not as sharp lines of demarcation , but as ...
... move his fellow men , and many a sensitive mind has moved in his art from one set of problems to another , abandoning one tradition for a better or worse one . We must regard these movements not as sharp lines of demarcation , but as ...
Страница 212
... move- ments of the period . There were the Czech and Slovak music of Dvorak and Smetana , the Hungarian music of Lizst , the Polish music of Chopin , the Norwegian music of Grieg , the national opera of Verdi , the Russian national ...
... move- ments of the period . There were the Czech and Slovak music of Dvorak and Smetana , the Hungarian music of Lizst , the Polish music of Chopin , the Norwegian music of Grieg , the national opera of Verdi , the Russian national ...
Съдържание
Preface both in Traditional Moder ང 1 Art Is Communication | 9 |
The Languages of Art | 14 |
Folk and Popular Art | 31 |
Авторско право | |
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