Art and SocietyInternational Publishers, 1947 - 288 страници |
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Страница 43
... materials of art , line , and mass . It is an art produced , of course , under special condi- tions which force it to respond to the command of the newspaper owners rather than to the needs and beliefs of the American people . The ...
... materials of art , line , and mass . It is an art produced , of course , under special condi- tions which force it to respond to the command of the newspaper owners rather than to the needs and beliefs of the American people . The ...
Страница 44
... materials , and common human experiences of a changing world are transmuted into the language patterns of art . These folk patterns have , because of this real , contemporary content , a germinating power apparent not only in the vast ...
... materials , and common human experiences of a changing world are transmuted into the language patterns of art . These folk patterns have , because of this real , contemporary content , a germinating power apparent not only in the vast ...
Страница 65
... materials , involving his perceptions of nature , people , and experience , using all the knowledge and craftsmanship in his possession , in a greater pattern of thought or perception of life . This concept of form can be called ...
... materials , involving his perceptions of nature , people , and experience , using all the knowledge and craftsmanship in his possession , in a greater pattern of thought or perception of life . This concept of form can be called ...
Съдържание
Preface both in Traditional Moder ང 1 Art Is Communication | 9 |
The Languages of Art | 14 |
Folk and Popular Art | 31 |
Авторско право | |
10 други раздела не са показани
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abstract accepted actual American appearances artist attempt audience became become Beethoven bring brought carried century character classic color communication complete composers contemporary contrast created critics culture described drama elements Elizabethan emotional entire epic example exist experience expression fact feeling figures folk followed forces freedom fresh function give growth hand human ideas images important individual influence Italy kind language later literature living mass masters materials means melodic middle mind move movement nature nineteenth novel opera painters painting past patterns picture play poetry political popular possible present problems production realism reality Renaissance reveal rise says scene sense served Shakespeare shows social society song sound story structure struggle style symbols symphonies texture thought tion took tradition truth understanding writing York