The Human Voice: Its Anatomy, Physiology, Pathology, Therapeutics, and TrainingS.R. Wells, 1875 - 111 страници |
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Страница 7
... Vocal Cords - Pitch of the Tones - Volume of Voice - Character of Voice - Rationale of Respiration - Rationale of Sobbing and Laughter - Rationale of Speech - Vowel and Conso- nant Sounds - Whispering - Sighing - Ventriloquism ...
... Vocal Cords - Pitch of the Tones - Volume of Voice - Character of Voice - Rationale of Respiration - Rationale of Sobbing and Laughter - Rationale of Speech - Vowel and Conso- nant Sounds - Whispering - Sighing - Ventriloquism ...
Страница 9
... vocal cords ; its depth or fullness depends on the capacity of the chest , and its power on the associated action of all the respira- tory muscles . A brief exposition , therefore , of the struc- ture of the vocal and respiratory ...
... vocal cords ; its depth or fullness depends on the capacity of the chest , and its power on the associated action of all the respira- tory muscles . A brief exposition , therefore , of the struc- ture of the vocal and respiratory ...
Страница 19
... vocal cords are chiefly instrumental in the production of sound . If the upper cords are removed , voice continues , but is rendered feeble ; if the lower cords are destroyed , voice is entirely lost . The tones of voice depend on the ...
... vocal cords are chiefly instrumental in the production of sound . If the upper cords are removed , voice continues , but is rendered feeble ; if the lower cords are destroyed , voice is entirely lost . The tones of voice depend on the ...
Страница 20
... vocal cords are longer than in the female , in the proportion of three to two , which renders the voice in most cases an octave lower . The free play of the diaphragm is an important factor in the volume of voice . To understand this ...
... vocal cords are longer than in the female , in the proportion of three to two , which renders the voice in most cases an octave lower . The free play of the diaphragm is an important factor in the volume of voice . To understand this ...
Страница 21
... vocal apparatus is analogous to a wind instrument with a double mem- branous tongue , the bronchi and trachea representing the wind- tube , the vocal cords the double Fig . 9 is a side view of the chest and abdo- men in respiration . 1 ...
... vocal apparatus is analogous to a wind instrument with a double mem- branous tongue , the bronchi and trachea representing the wind- tube , the vocal cords the double Fig . 9 is a side view of the chest and abdo- men in respiration . 1 ...
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25 cents 50 cents 737 Broadway abdominal action adjourn amendment Anatomy arms artery articulate arytenoid cartilages arytenoid muscle Bardell bells bird bōre breath Caudle cavity CHAPTER character chest chorda vocalis chords consonant sounds cornu cricoid debate diaphragm Diseases Dyspepsia epiglottis exercise GEORGE COMBE gilt glottis hand Health hear heart honor HUMAN VOICE Hydropathic Hygienic Illus Illustrated immortality larynx Lenore letter ligament lips live Love lungs Lyceum Marriage ment motion mouth mucous membrane muscles muslin name sound Nature never Nevermore octave ordinary pitch organs person Phrenology Physiognomy Physiology Pickwick practice President pronounced question Quoth the raven R. T. Trall respiration respiratory ribs Ring side soul speak speaker spinal spirit superior superior cornu tell thee thorax thou thyro-arytenoid thyroid tion tones tongue trachea umbrella unanimous consent upper ventricle vibrations viscera vocal apparatus vocal cords vote vowel sounds word
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Страница 94 - In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people - ah, the people They that dwell up in the steeple...
Страница 92 - HEAR the sledges with the bells— Silver bells ! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night ! While the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight...
Страница 94 - All alone, And who tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone They are neither man nor woman They are neither brute nor human They are Ghouls: And their king it is who tolls; And he rolls, rolls, rolls, Rolls A paean from the bells!
Страница 96 - Ring out false pride in place and blood, The civic slander and the spite; Ring in the love of truth and right, Ring in the common love of good.
Страница 59 - Heaven itself that points out an hereafter, And intimates eternity to man. Eternity ! thou pleasing, dreadful thought ! Through what variety of untried being, Through what new scenes and changes must we pass ! The wide, the unbounded prospect lies before me ; But shadows, clouds, and darkness rest upon it.
Страница 91 - thing of evil — prophet still, if bird or devil! By that Heaven that bends above us, by that God we both adore, Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore...
Страница 88 - Let me see, then, what thereat is, and this mystery explore, — Let my heart be still a moment, and this mystery explore : 'Tis the wind, and nothing more.
Страница 91 - Be that word our sign of parting, bird or fiend! " I shrieked, upstarting' "Get thee back into the tempest and the Night's Plutonian shore ! Leave no black plume as a token of that lie thy soul hath spoken ! Leave my loneliness unbroken! quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door!
Страница 72 - Sweet is the breath of morn, her rising sweet, With charm of earliest birds; pleasant the sun, When first on this delightful land he spreads His orient beams, on herb, tree, fruit, and flower, Glistering with dew; fragrant the fertile earth After soft showers; and sweet the coming on Of grateful evening mild...
Страница 87 - This it is and nothing more." Presently my soul grew stronger; hesitating then no longer, "Sir," said I, "or Madam, truly your forgiveness I implore; But the fact is I was napping; and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you.