 | Samuel Johnson - 1800 - 714 страници
...time of Dryden no poetical diction, no system of words at once refined from the grossness of domestick use, and free from the harshness of terms appropriated to particular arts. Words too familiar, or too remote, defeat the purpose of a poet. From those sounds which we hear on... | |
 | Great Britain - 1804 - 716 страници
...of Dryden no poetical diction, no system of words at once refined from the gro.^sness of domestick use, and free from the harshness of terms appropriated to particular arts. Words too familiar, or too remote, defeat the purpose of a poet. From those sounds which ive hear on... | |
 | George Gregory - 1808 - 352 страници
...every thing that can be said upon it. " There was, before the time of Dryden, no poetical diction, no system of words at once refined from the grossness...harshness of terms appropriated to particular arts. Words too familiar or too remote, defeat the purpose of a poet. From those sounds which we hear on... | |
 | George Gregory - 1809 - 384 страници
...time of Dryden, no poetical diction, no system of words at once refined from the grossness of dometic use, and free from the harshness of terms appropriated to particular arts. Words too familiar or too remote, defeat the purpose of a poet. From those sounds which we hear on... | |
 | Alexander Chalmers - 1810 - 654 страници
...what chance might offer him. There was therefore before the time of Dryden no poetical diction, no system of words, at once refined from the grossness...harshness of terms appropriated to particular arts. Words too familiar, or too remote, defeat the puq>ose of a poet. From those sounds which we hear on... | |
 | Samuel Johnson - 1810 - 476 страници
...time of Dryden no poetical diction, no system of words at once refined from the grossness of domestick use, and free from the harshness of terms appropriated to particular arts. Words too familiar, or too remote, defeat the purpose of a poet. From those sounds which we hear on... | |
 | Samuel Johnson - 1811 - 420 страници
...time of Dryden no poetical diction, no system of words at once refined from the grossness of domestick use, and free from the harshness of terms appropriated to particular arts. Words too familiar, or too remote, defeat the purpose of a poet. From those sounds which we hear on... | |
 | Samuel Johnson - 1811 - 420 страници
...time of Drydenno. poetical diction, no system of words at once refined from the grossness of domestick use, and free from the harshness of terms appropriated to particular arts. Words too familiar, or too remote, defeat the purpose of a poet. From those sounds which we hear on... | |
 | Samuel Johnson - 1816 - 486 страници
...what chance might offer him. There was therefore before the time of Dryden no poetical diction, no system of words at once refined from the grossness...harshness of terms appropriated to particular arts. Words too familiar, or too remote, defeat the purpose of a poet. From those sounds which we hear on... | |
 | Samuel Johnson, Arthur Murphy - 1820 - 470 страници
...what chance might offer him. There was therefore before the time of Dryden no poetical diction, no system of words at once refined from the grossness...harshness of terms appropriated to particular arts. Words too familiar, or too remote, defeat the purpose of a poet. From those sounds which we hear on... | |
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There was therefore before the time of Dryden no poetical diction, no system of words at once refined from the grossness of domestic use, and free from the harshness of terms appropriated to particular arts. 
