Genre and Ethics: The Education of an Eighteenth-century CriticUniversity of Delaware Press, 2002 - 284 страници "The study addresses the following kinds of questions: Why does genre need ethics? Why does ethics need genre? How is ethics related to and distinguished from ideology as currently used in cultural studies? How does a generic ethical method come to terms with history and historical change? How is a generic ethical method related to religion? Does genre reinforce the concept of the ethical agent? This book will therefore have a broad audience, including scholars whose fields range from the Renaissance to the present, theorists and philosophers whose interests include ethics, cultural studies, and ideologies, and educationists pursuing methods for graduates and undergraduates. The autobiographical introduction serves as the "hook," as our creative writers say, for this audience. Generically, it is experimental, being at once scholarly, pedagogical, and autobiographical."--BOOK JACKET. |
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Страница 9
... sort of writing . I do not use literature or art in that restricted sense . Linguists and rhetoricians have demonstrated that genre pervades all forms of communication , not merely messages that are literary and artis- tic . The ...
... sort of writing . I do not use literature or art in that restricted sense . Linguists and rhetoricians have demonstrated that genre pervades all forms of communication , not merely messages that are literary and artis- tic . The ...
Страница 88
... sort of contradiction . But while the episode of the seraglio establishes how ethical principles serve in situations where beliefs conflict with one an- other , we need now to consider how ethics contributes to the value of Oroonoko ...
... sort of contradiction . But while the episode of the seraglio establishes how ethical principles serve in situations where beliefs conflict with one an- other , we need now to consider how ethics contributes to the value of Oroonoko ...
Страница 210
... sort of basso continuo throughout Evelina , is emblematic of this problem . Margaret Doody's comments about this aspect of the narrative are helpful . The novel's connection with stage farce is pointed out in the references to Colman's ...
... sort of basso continuo throughout Evelina , is emblematic of this problem . Margaret Doody's comments about this aspect of the narrative are helpful . The novel's connection with stage farce is pointed out in the references to Colman's ...
Съдържание
Preface | 9 |
How Genre Criticism Leads to Ethics | 49 |
Textual Ideology in Aphra Behns Oroonoko | 70 |
Авторско право | |
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Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Ограничен достъп - 2002 |
Често срещани думи и фрази
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