Genre and Ethics: The Education of an Eighteenth-century CriticUniversity of Delaware Press, 2002 - 284 страници "The study addresses the following kinds of questions: Why does genre need ethics? Why does ethics need genre? How is ethics related to and distinguished from ideology as currently used in cultural studies? How does a generic ethical method come to terms with history and historical change? How is a generic ethical method related to religion? Does genre reinforce the concept of the ethical agent? This book will therefore have a broad audience, including scholars whose fields range from the Renaissance to the present, theorists and philosophers whose interests include ethics, cultural studies, and ideologies, and educationists pursuing methods for graduates and undergraduates. The autobiographical introduction serves as the "hook," as our creative writers say, for this audience. Generically, it is experimental, being at once scholarly, pedagogical, and autobiographical."--BOOK JACKET. |
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Страница 140
... novel " considers ethical responsibility in a genre without a character as agent . A " NOVEL " ABOUT ETHICS If Martin , the protagonist of " The Double Mistress , " is not a character , why do the authors label this chapter a " novel ...
... novel " considers ethical responsibility in a genre without a character as agent . A " NOVEL " ABOUT ETHICS If Martin , the protagonist of " The Double Mistress , " is not a character , why do the authors label this chapter a " novel ...
Страница 148
... novel or romance serves to show that a marriage with uncertain identity - can Martin be married to Lindamira without also being wedded to Indamora ? —ends in ambiguity . If the end of romance is love and marriage , we cannot know ...
... novel or romance serves to show that a marriage with uncertain identity - can Martin be married to Lindamira without also being wedded to Indamora ? —ends in ambiguity . If the end of romance is love and marriage , we cannot know ...
Страница 149
... novel is provisional . Understand- ing the conventions of the love novel or romance of the period , we approach “ The Double Mistress " with expectations that are thwarted in that we end uncertain that love is here depicted . The result ...
... novel is provisional . Understand- ing the conventions of the love novel or romance of the period , we approach “ The Double Mistress " with expectations that are thwarted in that we end uncertain that love is here depicted . The result ...
Съдържание
Preface | 9 |
How Genre Criticism Leads to Ethics | 49 |
Textual Ideology in Aphra Behns Oroonoko | 70 |
Авторско право | |
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Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Ограничен достъп - 2002 |
Често срещани думи и фрази
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