Genre and Ethics: The Education of an Eighteenth-century CriticUniversity of Delaware Press, 2002 - 284 страници "The study addresses the following kinds of questions: Why does genre need ethics? Why does ethics need genre? How is ethics related to and distinguished from ideology as currently used in cultural studies? How does a generic ethical method come to terms with history and historical change? How is a generic ethical method related to religion? Does genre reinforce the concept of the ethical agent? This book will therefore have a broad audience, including scholars whose fields range from the Renaissance to the present, theorists and philosophers whose interests include ethics, cultural studies, and ideologies, and educationists pursuing methods for graduates and undergraduates. The autobiographical introduction serves as the "hook," as our creative writers say, for this audience. Generically, it is experimental, being at once scholarly, pedagogical, and autobiographical."--BOOK JACKET. |
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Страница 164
... Savage personally until near the end of the Life . Moreover , Johnson makes clear early on in his narrative that Savage could not be counted on to be a loyal friend . In addition to the traditional virtues , even most of the ten ...
... Savage personally until near the end of the Life . Moreover , Johnson makes clear early on in his narrative that Savage could not be counted on to be a loyal friend . In addition to the traditional virtues , even most of the ten ...
Страница 174
... Savage , one of the most " morally " suspect poets of the age . The explanation involves reenacting the his- torical circumstances of the two friends wandering the streets of London together in the late 1730s so that we can understand ...
... Savage , one of the most " morally " suspect poets of the age . The explanation involves reenacting the his- torical circumstances of the two friends wandering the streets of London together in the late 1730s so that we can understand ...
Страница 177
... Savage came to find out about his aristocratic parentage , Jones creates a character named Captain Rawsley , who is im- portant at the outset . The narrative begins with Savage , an adolescent apprentice cobbler , confronted by Rawsley ...
... Savage came to find out about his aristocratic parentage , Jones creates a character named Captain Rawsley , who is im- portant at the outset . The narrative begins with Savage , an adolescent apprentice cobbler , confronted by Rawsley ...
Съдържание
Preface | 9 |
How Genre Criticism Leads to Ethics | 49 |
Textual Ideology in Aphra Behns Oroonoko | 70 |
Авторско право | |
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Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Ограничен достъп - 2002 |
Често срещани думи и фрази
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