Teaching Beat LiteratureCollege Literature, West Chester University, 2000 - 274 страници |
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Страница 53
... kind of oppressor . Highly conscious of America's history of racial conflict - and of his own uneasy position as a white man in a racially divided society , he experiences racial guilt which he struggles to placate . Quickly erasing his ...
... kind of oppressor . Highly conscious of America's history of racial conflict - and of his own uneasy position as a white man in a racially divided society , he experiences racial guilt which he struggles to placate . Quickly erasing his ...
Страница 71
... kind of radical narrative restructuring suggested by film but , ironically , devel- oped in postmodernist prose . Burroughs has argued in The Job that film alters and falsifies reality , that , as Barthes might argue , photographs have ...
... kind of radical narrative restructuring suggested by film but , ironically , devel- oped in postmodernist prose . Burroughs has argued in The Job that film alters and falsifies reality , that , as Barthes might argue , photographs have ...
Страница 144
... kind of cross - racial democracy - democracy , that is , in the sense of identifying with the " fellaheen , " as Kerouac called them — the down and out , the anonymous workers , and so forth . But , as the examples of both Athenian and ...
... kind of cross - racial democracy - democracy , that is , in the sense of identifying with the " fellaheen , " as Kerouac called them — the down and out , the anonymous workers , and so forth . But , as the examples of both Athenian and ...
Съдържание
Kerouacs Poetics of Intimacy | 8 |
Johnson | 22 |
Nancy McCampbell Grace | 39 |
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Acosta addiction Allen Ginsberg Amsterdam anthology artistic Beat Culture Beat movement Beat writers Beatnik becomes Blake Bob Kaufman body Brinkmann Burroughs 1990 Burroughs's Cassady celebrity Chicano City Lights Corso critical Desolation Angels Dharma Bums drugs Dutch Dutch Schultz edition editor essay ethnic experience Fauser fellaheen Ferlinghetti fiction Fiftiers figure film German grotesque Grove Press hipster Howl human Jack Kerouac Jack Spicer Jack's Journal language literary literature living Lowell Maggie Cassidy male Mardou Mountains and Rivers movie Naked Lunch narrative narrator nature Negro novel O'Hara painting poem poet poetic political postmodern prose published queer reader reading Reprint Rivers Without End Road Robert San Francisco scene sexual Simon Vinkenoog Snyder social Spicer story Studies tion tradition Tristessa University Press Vanity of Duluoz Vinkenoog Visions of Cody visual Waldman William Burroughs women Wondratschek words York