The Critical and Miscellaneous Prose Works of John Dryden: Now First Collected: with Notes and Illustrations; an Account of the Life and Writings of the Author, Grounded on Original and Authentick Documents; and a Collection of His Letters, the Greater Part of which Has Never Before Been Published, Том 1, Брой 1T. Cadell, jun. and W. Davies, 1800 |
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Страница iii
... thought it safest , in print- ing those Essays , to follow the second edition ; here , however , as well as in the former instance , availing myself occasionally of such aid as the earlier copies afforded , by which some literal errours ...
... thought it safest , in print- ing those Essays , to follow the second edition ; here , however , as well as in the former instance , availing myself occasionally of such aid as the earlier copies afforded , by which some literal errours ...
Страница xiv
... thought Statius mad , if he had heard him thundering out Quæ superimposito moles geminata colosso . " Statius perhaps heats himself , as he proceeds , to exaggerations somewhat hyperbolical ; but un- doubtedly Virgil would have been too ...
... thought Statius mad , if he had heard him thundering out Quæ superimposito moles geminata colosso . " Statius perhaps heats himself , as he proceeds , to exaggerations somewhat hyperbolical ; but un- doubtedly Virgil would have been too ...
Страница xviii
... thought tedious . They have not the formality of a settled style , in which the first half of the sentence betrays the other . The clauses are never balanced , nor the periods mo- delled ; every word seems to drop by chance , though it ...
... thought tedious . They have not the formality of a settled style , in which the first half of the sentence betrays the other . The clauses are never balanced , nor the periods mo- delled ; every word seems to drop by chance , though it ...
Страница xviii
... thought tedious. They have n the formality of a settled style, in which the ft half of the sentence betrays the other. Tl clauses are never balanced, nor the periods m delled ; every word seems to drop by chanc though it falls* into its ...
... thought tedious. They have n the formality of a settled style, in which the ft half of the sentence betrays the other. Tl clauses are never balanced, nor the periods m delled ; every word seems to drop by chanc though it falls* into its ...
Страница 6
... thought it necessary to inspect the monument ; but acquiescing in his account of his own inscription , have for the last sixty years told us , that this poet was born on the 9th of August , 1631 , and died on the 1st of May Let us now ...
... thought it necessary to inspect the monument ; but acquiescing in his account of his own inscription , have for the last sixty years told us , that this poet was born on the 9th of August , 1631 , and died on the 1st of May Let us now ...
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ABSALOM AND ACHITOPHEL Æneid afterwards anecdote appears Baronet Bayes bookseller Cecilia's day celebrated Charles Charles Dryden comedy Congreve copy death Dedication died Dorset dramatick Duke Earl Earl of Berkshire edition English entitled Erasmus errour Essay father favour funeral furnished gentleman Gilbert Pickering Henry Henry Purcell honour Howard Jacob Tonson Jeremiah Clarke John Dryden Johnson King King's Lady Elizabeth late letter lived Lockier London London Gazette Lord LOVE MARRIAGE A-LA-MODE Master mentioned MISCELLANY Muse never Northamptonshire observed occasion original performed perhaps person Pickering piece play poem Poet Laureate poet's poetical poetry Pope portrait pounds Preface prefixed printed probably Prologue publick published Purcell Queen Rochester satire says set to musick Shadwell shew Sir John Sir Robert Sir Robert Howard song supposed theatre Thomas thou tion translation TYRANNICK LOVE verses Virgil William write written wrote
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Страница 304 - And weltering in his blood; Deserted at his utmost need By those his former bounty fed; On the bare earth exposed he lies With not a friend to close his eyes.
Страница 257 - Thais led the way To light him to his prey, And like another Helen, fired another Troy! — Thus, long ago, Ere heaving bellows learn'd to blow, While organs yet were mute, Timotheus, to his breathing flute And sounding lyre Could swell the soul to rage, or kindle soft desire.
Страница 145 - With public zeal to cancel private crimes: How safe is treason and how sacred ill, Where none can sin against the people's will ! Where crowds can wink, and no offence be known, Since in another's guilt they find their own.
Страница x - To judge rightly of an author, we must transport ourselves to his time, and examine what were the wants of his contemporaries, and what were his means of supplying; them.
Страница viii - Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the volumes of Addison...
Страница 363 - Psalms ; whence you may find, that we don't think a poet worth Christian burial. The pomp of the ceremony was a kind of rhapsody, and fitter, I think, for Hudibras, than him; because the cavalcade was mostly burlesque : but he was an extraordinary man, and buried after an extraordinary fashion ; for I do believe there was never such another burial seen. The oration, indeed, was great and ingenious, worthy the subject, and like the author; whose prescriptions can restore the living, and his pen embalm...
Страница 140 - He that goeth about to persuade a multitude that they are not so well governed as they ought to be, shall never want attentive and favourable hearers...
Страница 62 - Neander, to be in company together; three of them persons whom their wit and quality have made known to all the town; and whom I have chose to hide under these borrowed names, that they may not suffer by so ill a relation as I am going to make of their discourse.
Страница 558 - ... of our especial grace, certain knowledge,- and mere motion, have given and granted, and by these presents, for us, our heirs and successors, do...
Страница viii - DRYDEN may be properly considered as the father of English criticism, as the writer who first taught us to determine upon principles the merit of composition.