Thomas Hardy, Towards a Materialist CriticismRowman & Littlefield, 1985 - 233 страници Challenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
Съдържание
Introduction | 1 |
The Radical Separation | 15 |
The Discourses of Hegemony | 26 |
The Ideology of the Thinking World and the Production of Wessex | 35 |
The Aesthetic Project and the Community of Labour | 46 |
The Sovereignty of the Subject and the World of the Workfolk | 60 |
The Structure of Perceptions | 77 |
Moments of Vision | 89 |
Being and Consciousness The Imaginary Resolution | 132 |
Separation and Evaluation Thomas Hardys Curiously Qualified Greatness | 145 |
Revelation Chance Change and the Reproduction of Thomas Hardy | 156 |
The Production of Meaning Hardys Women and the Eternal Feminine | 170 |
Exclusion and Repression The Choric Rumination of Hardys Charming Puppets | 184 |
Thomas Hardy and the Reproduction of the Relations of Production | 194 |
Conclusion | 208 |
Notes | 214 |
The Radical Separation and the Conflict of Perceptions | 112 |
The Appearance of Women and the Construction of Woman | 122 |
Други издания - Преглед на всички
Често срещани думи и фрази
aesthetic ideology aesthetic project appears Capital capitalist mode characters Christminster Clym community of labour conflict consciousness constitutes construction contradiction critical discourse culture determined discourse of aesthetic distracted gaze dominant Dorset effect Egdon English essential Eustacia existence expression F. R. Leavis Hand of Ethelberta Hardy's novels Hardy's women Hardy's writing human Ibid idea idealist idealizing vision ideological forms individual Jude Jude the Obscure language Leavis literary Literature London Louis Althusser Madding Crowd Marx material materialist criticism Mayor of Casterbridge Melbury mode of perception mode of production nature object perceived philosophy point of view production of Hardy's radical separation re)production reader realism reality relations of production relationship represents reproduced reveals sense sexual sight signifies society specific structure of perceptions Tess thinking world Thomas Hardy tion transformation unity universal wage labour Wessex woman workfolk writing produces writing's wrote