So shall sleek mice your chase reward, (1) The moral of the fable is rather forced, for the owl was dedicated to Minerva, the patroness of Athens, on account of its symbolizing the far-sightedness of wisdom, in looking through the darkness of ignorance and error; thus a wise man, like an owl, sees where others are blind. Otherwise the reproof by the poet of vain assumption is forcible enough, as well as of the error of human judgment, in being guided by external appearances. The temper of the owls here depicted, is a very common one; and men talk of the excellence of former times, and of the value then set upon certain qualities, which they always give themselves the credit of possessing, as though all veneration for real merit, had passed away. It has ever been the characteristic of servile indolence, to be a "laudator temporis acti," whereas, in fact, exertion has been applauded in all ages, and never more than when, with increasing experience, the world has learned to discriminate between the puling querulousness of the shallow upstart, and the real unlamenting energy of the active and enduring mind. Fortune ought to have broad shoulders, to bear the burden of complaints which idleness and conceited arrogance set upon her! WHENE'ER a Courtier's out of place, (1) Vide Plutarch in Vitâ. As one of these (without his wand), In projects to regain his power, 66 Came you from court? for in your mien A self-important air is seen." He frankly own'd his friends had trick'd him, And how he fell his party's victim. "Know," says the god, "by matchless skill I change to every shape at will; But yet I'm told, at court you see Those who presume to rival me." Thus said: a snake, with hideous trail, Proteus extends his scaly mail. 66 Know," says the Man, " tho' proud in place, All courtiers are of reptile race. Like you, they take that dreadful form, He shakes his mane, he spurns the sands; "Had I ne'er lived at court," he cries, Wolves, lions, lynxes, while in place, "Now, Proteus! now (to truth compell'd) Not to be bound by any ties, And never forced to leave his lies."1 (1) This pungent satire upon the life of fraud, which is the wretched lot of a courtier, is only to be equalled by Swift's biting apophthegm, "That a courtier's creed is the shortest, but best observed, he ever knew, namely, always to keep his place, and never to keep his promise." The various images of the wily venom of the snake, the power without the generosity of the lion, the cat-like, cunning cruelty of the lynx, the voracity and brutal sensuality of the bear, the craftiness of the fox, and the dull indolence and stupidity of the ass,-all ingredients in the character of courtiers,-are drawn literally after nature. Truly, "What man of sense would rack his generous mind To practise all the base formalities And forms of business? Force a grave starch'd face When he's a very libertine in 's heart? I |