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profligate minister with deference and respect. His authority would either sanctify or disgrace the measures of Government. The people would look up to him as to their protector, and a virtuous prince would have one honest man in his dominions, in whose integrity and justice he might safely confide. If it should be the will of Providence to afflict him with a domestic misfortune, he would submit to the stroke, with feeling, but not without dignity. He would consider the people as his children, and receive a generous, heart-felt consolation, in the sympathising tears and blessings of his country.—JUNIUS.

FORTUNES OF NIGEL. THERE was one person in the world who, it was thought, could (if she would) have said more of the Lady Hermione than any one in London, except George Heriot himself, and that was the said David Ramsay's only child, Margaret.

This girl was not much past the age of fifteen when the Lady Hermione first came to England, and was a very frequent visitor at her godfather's, who was much amused by her childish sallies, and by the wild and natural beauty with which she sung the airs of her native country. Spoilt she was on all hands : by the indulgence of her godfather, the absent habits and indifference of her father, and the deference of all around to her caprices as a beauty and as an heiress. But though, from these circumstances, the City beauty had become as wilful, as capricious, and as affected, as unlimited indulgence seldom fails to render those to whom it is extended; and although she exhibited upon many occasions that affectation of extreme shyness, silence, and reserve, which misses in their teens are apt to take for an amiable modesty, and, upon others, a considerable portion of that flippancy, which youth sometimes confounds with wit, Mistress Margaret had much

real shrewdness and judgment, which wanted only opportunities of observation to refine it-a lively, good-humoured, playful disposition, and an excellent heart. Her acquired follies were much increased by reading plays and romances, to which she devoted a great deal of her time, and from which she adopted ideas as different as possible from those which she might have obtained from the invaluable and affectionate instructions of an excellent mother; and the freaks of which she was sometimes guilty, rendered her not unjustly liable to the charge of affectation and coquetry. But the little lass had sense and shrewdness enough to keep her failings out of sight of her godfather, to whom she was sincerely attached ; and so high she stood in his favour, that, at his recommendation, she obtained permission to visit the recluse Lady Hermione.

The singular mode of life which that lady observed ; her great beauty, rendered even more interesting by her extreme paleness; the conscious pride of being admitted farther than the rest of the world into the society of a person who was wrapped in so much mystery, made a deep impression on the mind of Margaret Ramsay; and though their conversations were at no time either long or confidential, yet, proud of the trust reposed in her, Margaret was as secret respecting their tenour as if every word repeated had been to cost her life. No inquiry, however artfully backed by flattery and insinuation, whether on the part of Dame Ursula, or any other person equally inquisitive, could wring from the little maiden one word of what she heard or saw, after she entered these mysterious and secluded apartments. The slightest question concerning Master Heriot's ghost was sufficient, at her gayest moment, to check the current of her communicative prattle, and render her silent.--Scott. From 1771 to 1832.

GREEK ART.

We should be inclined principally to attribute the superior symmetry of form common to the Greek statues, in the first place, to the superior symmetry of the models in nature; and, in the second, to the more constant opportunities for studying them. If we allow, also, for the superior genius of the people, we shall not be wrong; but this superiority consisted in their peculiar susceptibility to the impressions of what is beautiful and grand in nature. It may be thought an objection to what has just been said, that the antique figures of animals, &c., are as fine, and proceed on the same principles, as their statues of gods or men. But all that follows from this seems to be, that their art had been perfected in the study of the human form, the test and proof of power and skill, and was then transferred easily to the general imitation of all other objects, according to their true characters, proportions, and appearances.

As a confirmation of these remarks, the antique portraits of individuals were often superior even to the personifications of their gods. We think that no unprejudiced spectator of real taste can hesitate for a moment in preferring the head of the Antinous, for example, to that of the Apollo. And, in general, it may be laid down as a rule, that the most perfect of the antiques are the most simple—those which affect the least action, or violence of passion—which repose the most on natural beauty of form, and a certain expression of sweetness and dignity: that is, which remain most nearly in that state in which they could be copied from nature without straining the limbs or features of the individual, or racking the invention of the artist. This tendency of Greek art to repose has indeed been reproached with insipidity by those who had not a true feeling of beauty and sentiment. We, however, prefer these models of habitual grace or internal grandeur to the violent distortions of suffering in the Laocoon, or even to the supercilious air of the Apollo.

The Niobe, more than any other antique head, combines truth and beauty with deep passion. But here the passion is fixed, intense, habitual ; it is not a sudden or violent gesticulation, but a settled mould of features ; the grief it expresses is such as might almost turn the human countenance itself into

marbled moral, the

In general, then, we would be understood to maintain, that the beauty and grandeur so much admired in the Greek statues were not a voluntary fiction of the brain of the artist, but existed substantially in the forms from which they were copied, and by which the artist was surrounded. A striking authority in support of these observations, which has in some measure been lately discovered, is to be found in the Elgin marbles, taken from the Acropolis at Athens, and supposed to be the works of the celebrated Phidias. The process of fastidious refinement and indefinite abstraction is certainly not visible there. The figures have all the ease, the simplicity, and variety, of individual nature. Even the details of the subordinate parts, the loose hanging folds in the skin, the veins under the belly or on the sides of the horses, more or less swelled, as the animal is more or less in action, are given with scrupulous exactness. This is true nature and true art. In a word, these invaluable remains of antiquity are precisely like casts taken from life. The ideal is not the preference of that which exists only in the mind to that which exists in nature; but the preference of that which is fine in nature to that which is less so. There is nothing fine in art but what is taken almost immediately, and, as it were, in the mass, from what is finer in nature. Where there have been the finest models in nature, there have been the finest works of art.-HAZLITT. From 1778 to 1830.

GOVERNMENT.

A MACHINE continues to move by the force which first set it in motion. If only the smallest number in any state, properly so called, hold together through the influence of any fear that does not itself presuppose the sense of duty, it is evident that the state itself could not have commenced through animal fear. We hear, indeed, of conquests; but how does History represent these ? Almost without exception as the substitution of one set of governors for another; and so far is the conqueror from relying on fear alone to secure the obedience of the conquered, that his first step is to demand an oath of fealty from them, by which he would impose upon them the belief that they become subjects : for who would think of administering an oath to a gang of slaves ? But what can make the difference between slave and subject, if not the existence of an implied contract in the one case, and not in the other? And to what purpose would a contract serve if, however it might be entered into through fear, it were deemed binding only in consequence of fear ?

To repeat my former illustration—where fear alone is relied on, as in a slave ship, the chains that bind the poor victims must be material chains; for these only can act upon feelings which have their source wholly in the material organisation. Hobbes has said, that laws without the sword are but bits of parchment.

How far this is true, every honest man's heart will best tell him, if he will content himself with asking his own heart, and not falsify the answer by his notions concerning the hearts of other men. But were it true, still the fair answer would be, -Well! but without the laws the sword is but a piece of

iron. The wretched tyrant, who disgraces the present age - and human nature itself, had exhausted the whole magazine

of animal terror in order to consolidate his truly satanic

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