The Voices that Are Gone: Themes in Nineteenth-Century American Popular SongOxford University Press, 3.07.1997 г. - 367 страници In this unique and readable study, Jon Finson views the mores and values of nineteenth-century Americans as they appear in their popular songs. The author sets forth lyricists' and composers' notions of courtship, technology, death, African Americans, Native Americans, and European ethnicity by grouping songs topically. He goes on to explore the interaction between musical style and lyrics within each topic. The lyrics and changing musical styles present a vivid portrait of nineteenth-century America. The composers discussed in the book range from Henry Russell ("Woodman, Spare That Tree"), Stephen Foster ("Oh! Susanna"), and Dan Emmett ("I Wish I Was in Dixie's Land"), to George M. Cohan and Maude Nugent ("Sweet Rosie O'Grady"), and Gussie Lord Davis ("In the Baggage Coach Ahead"). Readers will recognize songs like "Pop Goes the Weasel," "The Yellow Rose of Texas," "The Fountain in the Park," "After the Ball," "A Bicycle Built for Two," and many others which gain significance by being placed in the larger context of American history. |
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... a song must be made that it will be received and live in the hearts of the people is quite another matter . George Frederick Root , The Story of a Musical Life This page intentionally left blank 1 The Distant Beloved Genteel. PART I.
... a song must be made that it will be received and live in the hearts of the people is quite another matter . George Frederick Root , The Story of a Musical Life This page intentionally left blank 1 The Distant Beloved Genteel. PART I.
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