Cinema of Flames: Balkan Film, Culture and the MediaFirst study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh) |
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It tries to compensate for the insufficient attention paid to the ambiguous roles the mediated moving images of conflict in the Balkans play . Why film ? First , because the visual has a crucial role in discourse formation at any level ...
It tries to compensate for the insufficient attention paid to the ambiguous roles the mediated moving images of conflict in the Balkans play . Why film ? First , because the visual has a crucial role in discourse formation at any level ...
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Yet the role of visual referencing remained unaccounted for . Looking at the changing dynamics of international news flows , media scholars Johan Galtung and Richard Vincent noted that in the post - cold war situation the reporting of ...
Yet the role of visual referencing remained unaccounted for . Looking at the changing dynamics of international news flows , media scholars Johan Galtung and Richard Vincent noted that in the post - cold war situation the reporting of ...
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Croatian Mira Furlan , for example , best known for the role of the mistress in Kusturica's Cannes - winner When Father Was Away on Business , was ostracised in her own country , migrated to the USA and made a successful appearance in ...
Croatian Mira Furlan , for example , best known for the role of the mistress in Kusturica's Cannes - winner When Father Was Away on Business , was ostracised in her own country , migrated to the USA and made a successful appearance in ...
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Съдържание
War in the Balkans Moving Images | 5 |
Are the Balkans Admissible? The Discourse | 29 |
Narrating the Balkans | 55 |
Авторско право | |
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